/image%2F0651966%2F20241205%2Fob_dc66b9_box-office-5.jpg)
THE BEST OF EVERYTHING (RIEN N'EST TROP BEAU) 177 000 entrées en FRANCE
De Jean NEGULESCO avec Hope LANGE et Stephen BOYD
Six portraits de femmes qui recherchent l'amour. Amanda, une vieille fille, quitte son travail pour rejoindre un ancien amant. Caroline, trompée par son fiance, décide de le quitter. April se laisse séduire par un homme riche. Gregg amoureuse d'un impresario devient folle. Barbara, divorcée, se laisse séduire par un homme marie...
|
|
FILM |
RECETTE |
ECRANS |
|
1 |
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
$309 400 |
18 |
|
2 |
THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
$215 500 |
20 |
|
3 |
THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
$144 000 |
15 |
|
4 |
THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
$139 500 |
9 |
|
5 |
A SUMMER PLACE - Ils n'ont que 20 ans…(Daves/Egan/McGuire/Dee) |
$138 000 |
1 |
|
6 |
THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
$126 200 |
13 |
|
7 |
PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
$119 500 |
9 |
|
8 |
SOUTH SEAS ADVENTURES - cinerama - collectif |
$99 800 |
7 |
|
9 |
CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
$71 000 |
4 |
|
10 |
BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
$67 000 |
10 |
|
11 |
THE LAST ANGRY MAN - La colère du juste (Mann/Muni/Wayne) |
$60 000 |
3 |
|
12 |
IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
$53 500 |
6 |
|
13 |
LIBEL - La nuit est mon ennemie (Asquith/Bogarde/De Havilland) |
$50 200 |
3 |
|
14 |
THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
$41 000 |
7 |
|
15 |
THE WONDERFUL COUNTRY - L'aventurier du Rio Grande (Parrish/Mitchum/London) |
$36 000 |
5 |
|
16 |
ODDS AGAINST TOMORROW - Le coup de l'escalier (Wise/Belafonte/Ryan) |
$32 200 |
2 |
|
17 |
THE JAYHAWKERS - Violence au Kansas (Frank/Chandler) |
$30 500 |
4 |
|
18 |
PLUNDERERS OF PAINTED FLATS - (Gannaway/Calvet) |
$26 500 |
3 |
|
19 |
TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
$26 000 |
3 |
|
20 |
YESTERDAY'S ENEMY - Section d'assaut sur le Sittang (Guest/Baker) GB |
$25 000 |
2 |
|
21 |
WEB OF EVIDENCE - Fils de forçat (Cardiff/Johnson/Miles) GB |
$23 800 |
6 |
|
22 |
WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
$23 300 |
6 |
|
23 |
ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
$23 000 |
4 |
|
24 |
THE WILD AND THE INNOCENT - Le bagarreur solitaire (Sher/Murphy/Dru) |
$23 000 |
1 |
|
25 |
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
$22 700 |
4 |
|
26 |
MURDER REPORTED - (Saunders/Carpenter) GB |
$22 500 |
4 |
|
27 |
THE BLOODY BROOD - (Roffman/Lord/Falk) |
$22 000 |
5 |
|
28 |
THE WARRIOR AND THE SLAVE GIRL - La révolte des gladiateurs (Cottafavi/Canale) It / Fr / Esp |
$22 000 |
2 |
|
29 |
BATTLE OF THE CORAL SEA - La bataille de la mer de corail (Wendkos/Robertson/Scala) |
$20 000 |
2 |
|
30 |
NEW ORLEANS AFTER DARK - (Sledge/Harris) |
$20 000 |
1 |
|
31 |
SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
$20 000 |
2 |
|
32 |
THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
$20 000 |
2 |
|
33 |
WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
$19 500 |
1 |
|
34 |
CAST A LONG SHADOW - Le révolté (Carr/Murphy) |
$19 000 |
1 |
|
35 |
SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
$18 500 |
2 |
|
36 |
HOLD THAT HYPNOTIST - (Jewell/Hall) |
$17 000 |
2 |
|
37 |
ROOM 43 - Passeport pour la honte (Rakoff/Constantine/Dors) GB |
$17 000 |
2 |
|
38 |
ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
$16 000 |
3 |
|
39 |
ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
$15 800 |
4 |
|
40 |
JUKE BOXE RYTHM |
$15 000 |
1 |
|
41 |
COUNTERPLOT - (Neumann/Tucker/Hayes) |
$14 500 |
2 |
|
42 |
NORTH BY NORTHWEST - La mort aux trousses (Hitchcock/Grant/Saint) |
$14 000 |
2 |
|
43 |
LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
$13 800 |
3 |
|
44 |
GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
$13 000 |
2 |
|
45 |
THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
$12 500 |
2 |
|
46 |
DAY OF THE OUTLAW - La chevauchée des bannis (De Toth/Ryan) |
$12 000 |
2 |
|
47 |
HAVE ROCKET WILL TRAVEL - (Rich/Three Stooges) |
$12 000 |
1 |
|
48 |
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
$11 000 |
2 |
|
49 |
THAT KIND OF WOMAN - Une espèce de garce (Lumet/Loren/Hunter) |
$10 500 |
1 |
|
50 |
THE MOUSE THAT ROARED - La souris qui rugissait (Arnold/Sellers/Seberg) |
$10 000 |
1 |
|
51 |
ULYSSES - Ulysse (Strick/O'Sea/Jefford) GB / US |
$10 000 |
1 |
|
52 |
POWER AMONG MEN - documentaire |
$9 000 |
1 |
|
53 |
THE HOUND OF BASKERVILLE - Le chien des Baskerville (Fisher/Cushing/Morell/Lee) GB |
$9 000 |
1 |
|
54 |
FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
$8 500 |
2 |
|
55 |
MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
$8 500 |
1 |
|
56 |
BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
$8 300 |
2 |
|
57 |
GUNS GIRLS AND GANGSTERS - (Cahn/Van Doren/Mohr) |
$8 000 |
1 |
|
58 |
A WOMAN LIKE SATAN - La femme et le pantin (Duvivier/Bardot) Fr |
$7 500 |
1 |
|
59 |
FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
$7 000 |
1 |
|
60 |
GHOST OF A DRAGSTRIP HOLLOW - (Rusoff/Fair) |
$6 500 |
1 |
|
61 |
THE DIARY OF A HIGH SCHOOL GIRL - (Topper/Sands) |
$6 500 |
1 |
|
62 |
REVOLT IN THE BIG HOUSE - La révolte est pour minuit (Springsteen/Blake) |
$6 200 |
1 |
|
63 |
AREN'T WE WONDERFUL - Les enfants prodiges (Hoffman) Allemagne |
$6 000 |
1 |
|
64 |
THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
$5 500 |
1 |
|
65 |
THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
$5 400 |
1 |
|
66 |
THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
$5 300 |
1 |
|
67 |
BORN TO BE LOVED - (Haas/Morris) |
$5 000 |
1 |
|
68 |
HERE COME THE JETS - (Fowler Jr/Brodie) |
$5 000 |
1 |
|
69 |
INSIDE THE MAFIA - (Cahn/Mitchell) |
$5 000 |
1 |
|
70 |
THE GUNFIGHT AT DODGE CITY - Le shérif aux mains rouges (Newman/McCrea) |
$5 000 |
1 |
|
71 |
TOSCA - La Tosca (Koch/Renoir/Argentina/Simon) Italie |
$5 000 |
1 |
|
72 |
KISS ME BABY |
$4 500 |
1 |
|
73 |
TIGER BAY - Les yeux du témoin (Thompson/Mills/Buchholz) GB |
$4 500 |
1 |
|
74 |
VICE DOLLS - Les clandestines (André/Courcel) Fr |
$4 500 |
1 |
|
75 |
FEMALE AND THE FLESH - La lumière d'en face (Lacombe/Bardot/Pellerin) Fr |
$4 000 |
1 |
|
76 |
FORBIDDEN FRUIT - Le fruit défendu (Verneuil/Fernandel/Arnoul) Fr |
$4 000 |
1 |
|
77 |
MIDDLE OF THE NIGHT - Au milieu de la nuit (Mann/Novak/Farrell) |
$4 000 |
1 |
|
78 |
ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
$3 800 |
1 |
|
79 |
LOVE IS MY PROFESSION - En cas de malheur (Autant-Lara/Gabin/Bardot) France |
$3 500 |
1 |
|
80 |
A HOLE IN THE HEAD - Un trou dans la tête (Capra/Sinatra/Robinson/Parker) |
$3 000 |
1 |
|
81 |
APARAJITO - L'invaincu (Ray) Inde |
$3 000 |
1 |
|
82 |
PARTY GIRLS FOR THE CANDIDATE - (Angus/Van Doren) |
$3 000 |
1 |
|
83 |
THE DOCTOR'S DILEMMA - (Asquith/Caron/Bogarde) GB |
$3 000 |
1 |
|
84 |
JETS OVER THE ATLANTIC - Bagarre au dessus de l'Atlantique (Haskin/Madison/Mayo) |
$2 700 |
1 |
|
85 |
THE MAN WHO DIED TWICE - (Kane/Cameron) |
$2 700 |
1 |
|
86 |
THE MAN INSIDE - Signes particuliers néant (Gilling/Palance/Ekberg) gb |
$2 500 |
1 |
|
87 |
GRAND ILLUSION - La grande illusion (Renoir/gabin/Fresnay) France |
$2 000 |
1 |
|
88 |
THE MAN WHO UNDERSTOOD WOMEN - L'homme qui comprend les femmes (Johnson/Caron/Fonda) |
$2 000 |
1 |
|
89 |
CRIME AND PUNISHMENT - Crime et châtiment (Lampin/Gabin/Vlady) France |
$1 200 |
1 |
LIBEL (LA NUIT EST MON ENNEMIE) 174 000 entrées en FRANCE
De Anthony ASQUITH avec Olivia De HAVILLAND et Dirk BOGARDE
Jeffrey Buckenham, un Canadien qui a combattu en Europe quelques années plus tôt et a été détenu dans un camp de prisonniers en Allemagne, voit à la télé Sir Mark Sebastian Loddon en train de faire visiter son château familial ; or, Loddon a été un camarade de détention de Buckenham, et l'ancien soldat canadien se convainc bientôt que l'homme qui se présente comme Sir Loddon est un imposteur : l'acteur Frank Wellney, lui aussi détenu dans le camp allemand. Buckenham annonce publiquement qu'il suspecte Wellney d'avoir assassiné Loddon pendant une tentative d'évasion, et d'avoir ensuite usurpé la place de l'aristocrate anglais. Le soi-disant Loddon attaque en justice son accusateur pour diffamation, mais les séquelles d'un événement tragique survenu en Allemagne affectent son esprit : il perd pied et sa femme, jusque-là loyale, commence à douter de lui...
THE CRIMSON KIMONO (LE KIMONO POURPRE)
De Samuel FULLER avec Victoria SHAW
Charlie Bancroft et Joe Kojaku sont deux copains inséparables depuis la guerre de Corée. Devenus détectives, ils partagent le même appartement à Los Angeles. Ils enquêtent sur la mort d'une danseuse, la belle Sugar Torch. Les deux hommes ne possèdent qu'un mince indice, un tableau représentant Sugar en kimono rouge. L'oeuvre est signée «Chris»...
|
FILM |
VILLE |
RECETTE |
ECRANS |
|
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
|
|
|
|
BALTIMORE |
13 000 |
1 |
|
|
BOSTON |
34 000 |
1 |
|
|
BROADWAY |
41 500 |
2 |
|
|
BUFFALO |
13 000 |
1 |
|
|
CHICAGO |
34 000 |
1 |
|
|
DENVER |
18 000 |
1 |
|
|
DETROIT |
19 000 |
1 |
|
|
LOS ANGELES |
14 000 |
1 |
|
|
MINNEAPOLIS |
15 000 |
1 |
|
|
PITTSBURGH |
14 000 |
1 |
|
|
PORTLAND |
7 100 |
1 |
|
|
PROVIDENCE |
13 000 |
1 |
|
|
SAINT LOUIS |
20 000 |
1 |
|
|
SAN FRANCISCO |
23 000 |
1 |
|
|
SEATTLE |
7 800 |
1 |
|
|
TORONTO |
12 000 |
1 |
|
|
WASHINGTON |
11 000 |
1 |
|
Total PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
309 400 |
18 |
|
|
|
|
|
|
THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
|
|
|
|
|
BALTIMORE |
8 000 |
1 |
|
|
BOSTON |
15 000 |
1 |
|
|
BUFFALO |
8 000 |
1 |
|
|
CHICAGO |
21 000 |
1 |
|
|
CINCINNATI |
11 000 |
1 |
|
|
DENVER |
11 000 |
1 |
|
|
INDIANAPOLIS |
10 000 |
1 |
|
|
KANSAS CITY |
10 000 |
1 |
|
|
LOS ANGELES |
9 500 |
1 |
|
|
LOUISVILLE |
5 500 |
1 |
|
|
MINNEAPOLIS |
8 000 |
1 |
|
|
PHILADELPHIA |
13 000 |
1 |
|
|
PORTLAND |
7 500 |
1 |
|
|
PROVIDENCE |
5 000 |
1 |
|
|
SAINT LOUIS |
15 000 |
1 |
|
|
SAN FRANCISCO |
24 000 |
1 |
|
|
SEATTLE |
4 000 |
1 |
|
|
TORONTO |
10 000 |
1 |
|
|
WASHINGTON |
20 000 |
2 |
|
Total THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
|
215 500 |
20 |
|
|
|
|
|
|
THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
|
|
|
|
|
BALTIMORE |
5 000 |
1 |
|
|
BOSTON |
11 000 |
1 |
|
|
BROADWAY |
8 000 |
1 |
|
|
BUFFALO |
12 000 |
1 |
|
|
DENVER |
10 500 |
1 |
|
|
DETROIT |
19 000 |
1 |
|
|
INDIANAPOLIS |
9 000 |
1 |
|
|
KANSAS CITY |
10 000 |
1 |
|
|
LOS ANGELES |
4 500 |
1 |
|
|
LOUISVILLE |
9 500 |
1 |
|
|
MINNEAPOLIS |
6 000 |
1 |
|
|
PHILADELPHIA |
10 000 |
1 |
|
|
PITTSBURGH |
10 000 |
1 |
|
|
SAINT LOUIS |
7 500 |
1 |
|
|
WASHINGTON |
12 000 |
1 |
|
Total THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
|
144 000 |
15 |
|
|
|
|
|
|
THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
|
|
|
|
|
BROADWAY |
38 000 |
1 |
|
|
CHICAGO |
13 500 |
1 |
|
|
CINCINNATI |
7 000 |
1 |
|
|
DETROIT |
19 000 |
1 |
|
|
LOS ANGELES |
8 000 |
1 |
|
|
MINNEAPOLIS |
9 000 |
1 |
|
|
PHILADELPHIA |
25 000 |
1 |
|
|
SAN FRANCISCO |
7 500 |
1 |
|
|
WASHINGTON |
12 500 |
1 |
|
Total THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
|
139 500 |
9 |
|
|
|
|
|
|
A SUMMER PLACE - Ils n'ont que 20 ans…(Daves/Egan/McGuire/Dee) |
|
|
|
|
|
BROADWAY |
138 000 |
1 |
|
Total A SUMMER PLACE - Ils n'ont que 20 ans…(Daves/Egan/McGuire/Dee) |
|
138 000 |
1 |
|
|
|
|
|
|
THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
|
|
|
|
|
BROADWAY |
31 500 |
2 |
|
|
DENVER |
9 000 |
1 |
|
|
DETROIT |
20 000 |
1 |
|
|
INDIANAPOLIS |
8 000 |
1 |
|
|
LOS ANGELES |
10 000 |
1 |
|
|
LOUISVILLE |
8 000 |
1 |
|
|
MINNEAPOLIS |
7 000 |
1 |
|
|
PITTSBURGH |
5 000 |
1 |
|
|
PORTLAND |
6 200 |
1 |
|
|
SAINT LOUIS |
8 000 |
1 |
|
|
SAN FRANCISCO |
8 500 |
1 |
|
|
SEATTLE |
5 000 |
1 |
|
Total THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
|
126 200 |
13 |
|
|
|
|
|
|
PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
|
|
|
|
|
BOSTON |
11 000 |
1 |
|
|
BROADWAY |
18 500 |
1 |
|
|
CHICAGO |
14 500 |
1 |
|
|
CINCINNATI |
10 000 |
1 |
|
|
LOS ANGELES |
14 500 |
1 |
|
|
PHILADELPHIA |
16 000 |
1 |
|
|
SAN FRANCISCO |
11 000 |
1 |
|
|
TORONTO |
12 000 |
1 |
|
|
WASHINGTON |
12 000 |
1 |
|
Total PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
|
119 500 |
9 |
|
|
|
|
|
|
SOUTH SEAS ADVENTURES - cinerama - collectif |
|
|
|
|
|
BOSTON |
11 000 |
1 |
|
|
CHICAGO |
22 500 |
1 |
|
|
DETROIT |
13 900 |
1 |
|
|
LOS ANGELES |
13 900 |
1 |
|
|
MINNEAPOLIS |
12 500 |
1 |
|
|
PHILADELPHIA |
12 000 |
1 |
|
|
SAN FRANCISCO |
14 000 |
1 |
|
Total SOUTH SEAS ADVENTURES - cinerama - collectif |
|
99 800 |
7 |
|
|
|
|
|
|
CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
|
|
|
|
|
BOSTON |
12 000 |
1 |
|
|
BROADWAY |
23 000 |
1 |
|
|
PHILADELPHIA |
17 000 |
1 |
|
|
WASHINGTON |
19 000 |
1 |
|
Total CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
|
71 000 |
4 |
|
|
|
|
|
|
BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
|
|
|
|
|
BALTIMORE |
4 000 |
1 |
|
|
CHICAGO |
12 500 |
1 |
|
|
LOS ANGELES |
10 500 |
3 |
|
|
LOUISVILLE |
6 000 |
1 |
|
|
PHILADELPHIA |
11 000 |
1 |
|
|
PORTLAND |
8 000 |
1 |
|
|
SEATTLE |
5 000 |
1 |
|
|
WASHINGTON |
10 000 |
1 |
|
Total BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
|
67 000 |
10 |
|
|
|
|
|
|
THE LAST ANGRY MAN - La colère du juste (Mann/Muni/Wayne) |
|
|
|
|
|
BROADWAY |
46 000 |
2 |
|
|
TORONTO |
14 000 |
1 |
|
Total THE LAST ANGRY MAN - La colère du juste (Mann/Muni/Wayne) |
|
60 000 |
3 |
|
|
|
|
|
|
IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
|
|
|
|
|
BOSTON |
14 000 |
1 |
|
|
DETROIT |
10 000 |
1 |
|
|
KANSAS CITY |
7 500 |
1 |
|
|
LOS ANGELES |
22 000 |
3 |
|
Total IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
53 500 |
6 |
|
|
|
|
|
|
|
LIBEL - La nuit est mon ennemie (Asquith/Bogarde/De Havilland) |
|
|
|
|
|
BROADWAY |
37 000 |
1 |
|
|
CHICAGO |
11 000 |
1 |
|
|
LOS ANGELES |
2 200 |
1 |
|
Total LIBEL - La nuit est mon ennemie (Asquith/Bogarde/De Havilland) |
|
50 200 |
3 |
|
|
|
|
|
|
THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
|
|
|
|
|
BROADWAY |
2 500 |
1 |
|
|
LOS ANGELES |
22 000 |
3 |
|
|
OMAHA |
4 000 |
1 |
|
|
PITTSBURGH |
10 000 |
1 |
|
|
WASHINGTON |
2 500 |
1 |
|
Total THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
|
41 000 |
7 |
|
|
|
|
|
|
THE WONDERFUL COUNTRY - L'aventurier du Rio Grande (Parrish/Mitchum/London) |
|
|
|
|
|
BUFFALO |
9 000 |
1 |
|
|
CHICAGO |
10 000 |
1 |
|
|
LOS ANGELES |
3 000 |
1 |
|
|
LOUISVILLE |
5 000 |
1 |
|
|
PHILADELPHIA |
9 000 |
1 |
|
Total THE WONDERFUL COUNTRY - L'aventurier du Rio Grande (Parrish/Mitchum/London) |
36 000 |
5 |
|
|
|
|
|
|
|
ODDS AGAINST TOMORROW - Le coup de l'escalier (Wise/Belafonte/Ryan) |
|
|
|
|
|
BROADWAY |
11 200 |
1 |
|
|
CHICAGO |
21 000 |
1 |
|
Total ODDS AGAINST TOMORROW - Le coup de l'escalier (Wise/Belafonte/Ryan) |
|
32 200 |
2 |
|
|
|
|
|
|
THE JAYHAWKERS - Violence au Kansas (Frank/Chandler) |
|
|
|
|
|
BOSTON |
13 000 |
1 |
|
|
CINCINNATI |
6 500 |
1 |
|
|
DENVER |
6 000 |
1 |
|
|
OMAHA |
5 000 |
1 |
|
Total THE JAYHAWKERS - Violence au Kansas (Frank/Chandler) |
|
30 500 |
4 |
|
|
|
|
|
|
PLUNDERERS OF PAINTED FLATS - (Gannaway/Calvet) |
|
|
|
|
|
LOS ANGELES |
20 000 |
2 |
|
|
SAN FRANCISCO |
6 500 |
1 |
|
Total PLUNDERERS OF PAINTED FLATS - (Gannaway/Calvet) |
|
26 500 |
3 |
|
|
|
|
|
|
TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
|
|
|
|
|
LOS ANGELES |
15 000 |
2 |
|
|
WASHINGTON |
11 000 |
1 |
|
Total TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
|
26 000 |
3 |
|
|
|
|
|
|
YESTERDAY'S ENEMY - Section d'assaut sur le Sittang (Guest/Baker) GB |
|
|
|
|
|
CHICAGO |
13 000 |
1 |
|
|
DETROIT |
12 000 |
1 |
|
Total YESTERDAY'S ENEMY - Section d'assaut sur le Sittang (Guest/Baker) GB |
|
25 000 |
2 |
|
|
|
|
|
|
WEB OF EVIDENCE - Fils de forçat (Cardiff/Johnson/Miles) GB |
|
|
|
|
|
PITTSBURGH |
1 800 |
1 |
|
|
TORONTO |
22 000 |
5 |
|
Total WEB OF EVIDENCE - Fils de forçat (Cardiff/Johnson/Miles) GB |
|
23 800 |
6 |
|
|
|
|
|
|
WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
|
|
|
|
|
BALTIMORE |
2 600 |
1 |
|
|
BROADWAY |
6 500 |
1 |
|
|
CHICAGO |
5 700 |
1 |
|
|
MINNEAPOLIS |
3 000 |
1 |
|
|
PHILADELPHIA |
3 500 |
1 |
|
|
SAN FRANCISCO |
2 000 |
1 |
|
Total WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
|
23 300 |
6 |
|
|
|
|
|
|
ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
|
|
|
|
|
LOS ANGELES |
17 000 |
3 |
|
|
TORONTO |
6 000 |
1 |
|
Total ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
|
23 000 |
4 |
|
|
|
|
|
|
THE WILD AND THE INNOCENT - Le bagarreur solitaire (Sher/Murphy/Dru) |
|
|
|
|
|
SAN FRANCISCO |
23 000 |
1 |
|
Total THE WILD AND THE INNOCENT - Le bagarreur solitaire (Sher/Murphy/Dru) |
|
23 000 |
1 |
|
|
|
|
|
|
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
|
|
|
|
BOSTON |
5 500 |
1 |
|
|
CHICAGO |
3 200 |
1 |
|
|
LOS ANGELES |
5 000 |
1 |
|
|
TORONTO |
9 000 |
1 |
|
Total SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
22 700 |
4 |
|
|
|
|
|
|
MURDER REPORTED - (Saunders/Carpenter) GB |
|
|
|
|
|
DETROIT |
12 000 |
1 |
|
|
LOS ANGELES |
10 500 |
3 |
|
Total MURDER REPORTED - (Saunders/Carpenter) GB |
|
22 500 |
4 |
|
|
|
|
|
|
THE BLOODY BROOD - (Roffman/Lord/Falk) |
|
|
|
|
|
TORONTO |
22 000 |
5 |
|
Total THE BLOODY BROOD - (Roffman/Lord/Falk) |
|
22 000 |
5 |
|
|
|
|
|
|
THE WARRIOR AND THE SLAVE GIRL - La révolte des gladiateurs (Cottafavi/Canale) It / Fr / Esp |
|
|
|
|
|
BOSTON |
15 000 |
1 |
|
|
PROVIDENCE |
7 000 |
1 |
|
Total THE WARRIOR AND THE SLAVE GIRL - La révolte des gladiateurs (Cottafavi/Canale) It / Fr / Esp |
22 000 |
2 |
|
|
|
|
|
|
|
BATTLE OF THE CORAL SEA - La bataille de la mer de corail (Wendkos/Robertson/Scala) |
|
|
|
|
|
DETROIT |
13 000 |
1 |
|
|
SEATTLE |
7 000 |
1 |
|
Total BATTLE OF THE CORAL SEA - La bataille de la mer de corail (Wendkos/Robertson/Scala) |
20 000 |
2 |
|
|
|
|
|
|
|
NEW ORLEANS AFTER DARK - (Sledge/Harris) |
|
|
|
|
|
DETROIT |
20 000 |
1 |
|
Total NEW ORLEANS AFTER DARK - (Sledge/Harris) |
|
20 000 |
1 |
|
|
|
|
|
|
SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
|
|
|
|
|
LOS ANGELES |
20 000 |
2 |
|
Total SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
20 000 |
2 |
|
|
|
|
|
|
|
THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
|
|
|
|
|
DETROIT |
13 000 |
1 |
|
|
SEATTLE |
7 000 |
1 |
|
Total THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
|
20 000 |
2 |
|
|
|
|
|
|
WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
|
|
|
|
|
CINCINNATI |
19 500 |
1 |
|
Total WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
|
19 500 |
1 |
|
|
|
|
|
|
CAST A LONG SHADOW - Le révolté (Carr/Murphy) |
|
|
|
|
|
DETROIT |
19 000 |
1 |
|
Total CAST A LONG SHADOW - Le révolté (Carr/Murphy) |
|
19 000 |
1 |
|
|
|
|
|
|
SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
|
|
|
|
|
BUFFALO |
10 000 |
1 |
|
|
OMAHA |
8 500 |
1 |
|
Total SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
|
18 500 |
2 |
|
|
|
|
|
|
HOLD THAT HYPNOTIST - (Jewell/Hall) |
|
|
|
|
|
INDIANAPOLIS |
12 000 |
1 |
|
|
SEATTLE |
5 000 |
1 |
|
Total HOLD THAT HYPNOTIST - (Jewell/Hall) |
|
17 000 |
2 |
|
|
|
|
|
|
ROOM 43 - Passeport pour la honte (Rakoff/Constantine/Dors) GB |
|
|
|
|
|
KANSAS CITY |
8 000 |
1 |
|
|
PITTSBURGH |
9 000 |
1 |
|
Total ROOM 43 - Passeport pour la honte (Rakoff/Constantine/Dors) GB |
|
17 000 |
2 |
|
|
|
|
|
|
ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
|
|
|
|
|
BALTIMORE |
1 000 |
1 |
|
|
LOS ANGELES |
15 000 |
2 |
|
Total ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
|
16 000 |
3 |
|
|
|
|
|
|
ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
|
|
|
|
|
BALTIMORE |
2 000 |
1 |
|
|
BROADWAY |
6 600 |
1 |
|
|
LOS ANGELES |
4 200 |
1 |
|
|
SAINT LOUIS |
3 000 |
1 |
|
Total ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
|
15 800 |
4 |
|
|
|
|
|
|
JUKE BOXE RYTHM |
|
|
|
|
|
BOSTON |
15 000 |
1 |
|
Total JUKE BOXE RYTHM |
|
15 000 |
1 |
|
|
|
|
|
|
COUNTERPLOT - (Neumann/Tucker/Hayes) |
|
|
|
|
|
INDIANAPOLIS |
7 000 |
1 |
|
|
SAN FRANCISCO |
7 500 |
1 |
|
Total COUNTERPLOT - (Neumann/Tucker/Hayes) |
|
14 500 |
2 |
|
|
|
|
|
|
NORTH BY NORTHWEST - La mort aux trousses (Hitchcock/Grant/Saint) |
|
|
|
|
|
BALTIMORE |
4 000 |
1 |
|
|
TORONTO |
10 000 |
1 |
|
Total NORTH BY NORTHWEST - La mort aux trousses (Hitchcock/Grant/Saint) |
|
14 000 |
2 |
|
|
|
|
|
|
LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
|
|
|
|
|
BROADWAY |
3 300 |
1 |
|
|
PHILADELPHIA |
6 000 |
1 |
|
|
SAN FRANCISCO |
4 500 |
1 |
|
Total LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
|
13 800 |
3 |
|
|
|
|
|
|
GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
|
|
|
|
|
BROADWAY |
7 500 |
1 |
|
|
SAN FRANCISCO |
5 500 |
1 |
|
Total GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
|
13 000 |
2 |
|
|
|
|
|
|
THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
|
|
|
|
|
DENVER |
6 000 |
1 |
|
|
SAN FRANCISCO |
6 500 |
1 |
|
Total THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
|
12 500 |
2 |
|
|
|
|
|
|
DAY OF THE OUTLAW - La chevauchée des bannis (De Toth/Ryan) |
|
|
|
|
|
INDIANAPOLIS |
7 000 |
1 |
|
|
PROVIDENCE |
5 000 |
1 |
|
Total DAY OF THE OUTLAW - La chevauchée des bannis (De Toth/Ryan) |
|
12 000 |
2 |
|
|
|
|
|
|
HAVE ROCKET WILL TRAVEL - (Rich/Three Stooges) |
|
|
|
|
|
INDIANAPOLIS |
12 000 |
1 |
|
Total HAVE ROCKET WILL TRAVEL - (Rich/Three Stooges) |
|
12 000 |
1 |
|
|
|
|
|
|
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
|
|
|
|
KANSAS CITY |
5 000 |
1 |
|
|
OMAHA |
6 000 |
1 |
|
Total SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
11 000 |
2 |
|
|
|
|
|
|
THAT KIND OF WOMAN - Une espèce de garce (Lumet/Loren/Hunter) |
|
|
|
|
|
LOS ANGELES |
10 500 |
1 |
|
Total THAT KIND OF WOMAN - Une espèce de garce (Lumet/Loren/Hunter) |
|
10 500 |
1 |
|
|
|
|
|
|
THE MOUSE THAT ROARED - La souris qui rugissait (Arnold/Sellers/Seberg) |
|
|
|
|
|
WASHINGTON |
10 000 |
1 |
|
Total THE MOUSE THAT ROARED - La souris qui rugissait (Arnold/Sellers/Seberg) |
|
10 000 |
1 |
|
|
|
|
|
|
ULYSSES - Ulysse (Strick/O'Sea/Jefford) GB / US |
|
|
|
|
|
BUFFALO |
10 000 |
1 |
|
Total ULYSSES - Ulysse (Strick/O'Sea/Jefford) GB / US |
|
10 000 |
1 |
|
|
|
|
|
|
POWER AMONG MEN - documentaire |
|
|
|
|
|
BOSTON |
9 000 |
1 |
|
Total POWER AMONG MEN - documentaire |
|
9 000 |
1 |
|
|
|
|
|
|
THE HOUND OF BASKERVILLE - Le chien des Baskerville (Fisher/Cushing/Morell/Lee) GB |
|
|
|
|
|
BUFFALO |
9 000 |
1 |
|
Total THE HOUND OF BASKERVILLE - Le chien des Baskerville (Fisher/Cushing/Morell/Lee) GB |
9 000 |
1 |
|
|
|
|
|
|
|
FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
|
|
|
|
|
BALTIMORE |
3 500 |
1 |
|
|
CINCINNATI |
5 000 |
1 |
|
Total FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
|
8 500 |
2 |
|
|
|
|
|
|
MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
|
|
|
|
|
SAN FRANCISCO |
8 500 |
1 |
|
Total MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
|
8 500 |
1 |
|
|
|
|
|
|
BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
|
|
|
|
|
BROADWAY |
3 300 |
1 |
|
|
CHICAGO |
5 000 |
1 |
|
Total BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
|
8 300 |
2 |
|
|
|
|
|
|
GUNS GIRLS AND GANGSTERS - (Cahn/Van Doren/Mohr) |
|
|
|
|
|
PORTLAND |
8 000 |
1 |
|
Total GUNS GIRLS AND GANGSTERS - (Cahn/Van Doren/Mohr) |
|
8 000 |
1 |
|
|
|
|
|
|
A WOMAN LIKE SATAN - La femme et le pantin (Duvivier/Bardot) Fr |
|
|
|
|
|
SAN FRANCISCO |
7 500 |
1 |
|
Total A WOMAN LIKE SATAN - La femme et le pantin (Duvivier/Bardot) Fr |
|
7 500 |
1 |
|
|
|
|
|
|
FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
|
|
|
|
|
CHICAGO |
7 000 |
1 |
|
Total FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
|
7 000 |
1 |
|
|
|
|
|
|
GHOST OF A DRAGSTRIP HOLLOW - (Rusoff/Fair) |
|
|
|
|
|
MINNEAPOLIS |
6 500 |
1 |
|
Total GHOST OF A DRAGSTRIP HOLLOW - (Rusoff/Fair) |
|
6 500 |
1 |
|
|
|
|
|
|
THE DIARY OF A HIGH SCHOOL GIRL - (Topper/Sands) |
|
|
|
|
|
MINNEAPOLIS |
6 500 |
1 |
|
Total THE DIARY OF A HIGH SCHOOL GIRL - (Topper/Sands) |
|
6 500 |
1 |
|
|
|
|
|
|
REVOLT IN THE BIG HOUSE - La révolte est pour minuit (Springsteen/Blake) |
|
|
|
|
|
PORTLAND |
6 200 |
1 |
|
Total REVOLT IN THE BIG HOUSE - La révolte est pour minuit (Springsteen/Blake) |
|
6 200 |
1 |
|
|
|
|
|
|
AREN'T WE WONDERFUL - Les enfants prodiges (Hoffman) Allemagne |
|
|
|
|
|
BROADWAY |
6 000 |
1 |
|
Total AREN'T WE WONDERFUL - Les enfants prodiges (Hoffman) Allemagne |
|
6 000 |
1 |
|
|
|
|
|
|
THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
|
|
|
|
|
WASHINGTON |
5 500 |
1 |
|
Total THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
|
5 500 |
1 |
|
|
|
|
|
|
THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
|
|
|
|
|
BROADWAY |
5 400 |
1 |
|
Total THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
5 400 |
1 |
|
|
|
|
|
|
|
THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
|
|
|
|
|
BROADWAY |
5 300 |
1 |
|
Total THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
|
5 300 |
1 |
|
|
|
|
|
|
BORN TO BE LOVED - (Haas/Morris) |
|
|
|
|
|
PROVIDENCE |
5 000 |
1 |
|
Total BORN TO BE LOVED - (Haas/Morris) |
|
5 000 |
1 |
|
|
|
|
|
|
HERE COME THE JETS - (Fowler Jr/Brodie) |
|
|
|
|
|
CINCINNATI |
5 000 |
1 |
|
Total HERE COME THE JETS - (Fowler Jr/Brodie) |
|
5 000 |
1 |
|
|
|
|
|
|
INSIDE THE MAFIA - (Cahn/Mitchell) |
|
|
|
|
|
MINNEAPOLIS |
5 000 |
1 |
|
Total INSIDE THE MAFIA - (Cahn/Mitchell) |
|
5 000 |
1 |
|
|
|
|
|
|
THE GUNFIGHT AT DODGE CITY - Le shérif aux mains rouges (Newman/McCrea) |
|
|
|
|
|
MINNEAPOLIS |
5 000 |
1 |
|
Total THE GUNFIGHT AT DODGE CITY - Le shérif aux mains rouges (Newman/McCrea) |
|
5 000 |
1 |
|
|
|
|
|
|
TOSCA - La Tosca (Koch/Renoir/Argentina/Simon) Italie |
|
|
|
|
|
DETROIT |
5 000 |
1 |
|
Total TOSCA - La Tosca (Koch/Renoir/Argentina/Simon) Italie |
|
5 000 |
1 |
|
|
|
|
|
|
KISS ME BABY |
|
|
|
|
|
BOSTON |
4 500 |
1 |
|
Total KISS ME BABY |
|
4 500 |
1 |
|
|
|
|
|
|
TIGER BAY - Les yeux du témoin (Thompson/Mills/Buchholz) GB |
|
|
|
|
|
TORONTO |
4 500 |
1 |
|
Total TIGER BAY - Les yeux du témoin (Thompson/Mills/Buchholz) GB |
|
4 500 |
1 |
|
|
|
|
|
|
VICE DOLLS - Les clandestines (André/Courcel) Fr |
|
|
|
|
|
BOSTON |
4 500 |
1 |
|
Total VICE DOLLS - Les clandestines (André/Courcel) Fr |
|
4 500 |
1 |
|
|
|
|
|
|
FEMALE AND THE FLESH - La lumière d'en face (Lacombe/Bardot/Pellerin) Fr |
|
|
|
|
|
WASHINGTON |
4 000 |
1 |
|
Total FEMALE AND THE FLESH - La lumière d'en face (Lacombe/Bardot/Pellerin) Fr |
|
4 000 |
1 |
|
|
|
|
|
|
FORBIDDEN FRUIT - Le fruit défendu (Verneuil/Fernandel/Arnoul) Fr |
|
|
|
|
|
PHILADELPHIA |
4 000 |
1 |
|
Total FORBIDDEN FRUIT - Le fruit défendu (Verneuil/Fernandel/Arnoul) Fr |
|
4 000 |
1 |
|
|
|
|
|
|
MIDDLE OF THE NIGHT - Au milieu de la nuit (Mann/Novak/Farrell) |
|
|
|
|
|
BOSTON |
4 000 |
1 |
|
Total MIDDLE OF THE NIGHT - Au milieu de la nuit (Mann/Novak/Farrell) |
|
4 000 |
1 |
|
|
|
|
|
|
ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
|
|
|
|
|
BROADWAY |
3 800 |
1 |
|
Total ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
|
3 800 |
1 |
|
|
|
|
|
|
LOVE IS MY PROFESSION - En cas de malheur (Autant-Lara/Gabin/Bardot) France |
|
|
|
|
|
SEATTLE |
3 500 |
1 |
|
Total LOVE IS MY PROFESSION - En cas de malheur (Autant-Lara/Gabin/Bardot) France |
3 500 |
1 |
|
|
|
|
|
|
|
A HOLE IN THE HEAD - Un trou dans la tête (Capra/Sinatra/Robinson/Parker) |
|
|
|
|
|
BUFFALO |
3 000 |
1 |
|
Total A HOLE IN THE HEAD - Un trou dans la tête (Capra/Sinatra/Robinson/Parker) |
|
3 000 |
1 |
|
|
|
|
|
|
APARAJITO - L'invaincu (Ray) Inde |
|
|
|
|
|
SAINT LOUIS |
3 000 |
1 |
|
Total APARAJITO - L'invaincu (Ray) Inde |
|
3 000 |
1 |
|
|
|
|
|
|
PARTY GIRLS FOR THE CANDIDATE - (Angus/Van Doren) |
|
|
|
|
|
LOS ANGELES |
3 000 |
1 |
|
Total PARTY GIRLS FOR THE CANDIDATE - (Angus/Van Doren) |
|
3 000 |
1 |
|
|
|
|
|
|
THE DOCTOR'S DILEMMA - (Asquith/Caron/Bogarde) GB |
|
|
|
|
|
SAINT LOUIS |
3 000 |
1 |
|
Total THE DOCTOR'S DILEMMA - (Asquith/Caron/Bogarde) GB |
|
3 000 |
1 |
|
|
|
|
|
|
JETS OVER THE ATLANTIC - Bagarre au dessus de l'Atlantique (Haskin/Madison/Mayo) |
|
|
|
|
|
SEATTLE |
2 700 |
1 |
|
Total JETS OVER THE ATLANTIC - Bagarre au dessus de l'Atlantique (Haskin/Madison/Mayo) |
2 700 |
1 |
|
|
|
|
|
|
|
THE MAN WHO DIED TWICE - (Kane/Cameron) |
|
|
|
|
|
SEATTLE |
2 700 |
1 |
|
Total THE MAN WHO DIED TWICE - (Kane/Cameron) |
|
2 700 |
1 |
|
|
|
|
|
|
THE MAN INSIDE - Signes particuliers néant (Gilling/Palance/Ekberg) gb |
|
|
|
|
|
MINNEAPOLIS |
2 500 |
1 |
|
Total THE MAN INSIDE - Signes particuliers néant (Gilling/Palance/Ekberg) gb |
|
2 500 |
1 |
|
|
|
|
|
|
GRAND ILLUSION - La grande illusion (Renoir/gabin/Fresnay) France |
|
|
|
|
|
BALTIMORE |
2 000 |
1 |
|
Total GRAND ILLUSION - La grande illusion (Renoir/gabin/Fresnay) France |
|
2 000 |
1 |
|
|
|
|
|
|
THE MAN WHO UNDERSTOOD WOMEN - L'homme qui comprend les femmes (Johnson/Caron/Fonda) |
|
|
|
|
|
BUFFALO |
2 000 |
1 |
|
Total THE MAN WHO UNDERSTOOD WOMEN - L'homme qui comprend les femmes (Johnson/Caron/Fonda) |
2 000 |
1 |
|
|
|
|
|
|
|
CRIME AND PUNISHMENT - Crime et châtiment (Lampin/Gabin/Vlady) France |
|
|
|
|
|
KANSAS CITY |
1 200 |
1 |
|
Total CRIME AND PUNISHMENT - Crime et châtiment (Lampin/Gabin/Vlady) France |
|
1 200 |
1 |
/http%3A%2F%2Fekladata.com%2FzkoYUJreoGpcsDmd2Z6kM3LftSo%40592x835.jpg)
/http%3A%2F%2Fekladata.com%2FYHmm6nYplBaVv2W3Ka1KJ5ilNyM%40953x771.jpg)
/http%3A%2F%2Fekladata.com%2FJk-8ZCvX61PkPcv_sBeMBkLn_Fo%40650x920.jpg)
/http%3A%2F%2Fekladata.com%2FYgBTOeRpBsUImBWHCG2LsIBbpg8%40625x867.jpg)