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OCEAN"S 11 (L'INCONNU DE LAS VEGAS) - 1 113 000 entrées en FRANCE
De Lewis MILESTONE avec Frank SINATRA et Dean MARTIN
Onze anciens combattants s'entendent pour commettre un hold-up, le Jour de l'An, dans cinq des plus grands cabarets de Las-Vegas. Sous la direction de Danny Ocean, l'instigateur du hold-up, les préparatifs commencent, tout est minutieusement minuté. A Las-Vegas les objectifs sont repérés. La Saint-Sylvestre arrive enfin. La maîtrise de chacun permet de réussir avec éclat à l'heure prévue le plus sensationnel vol de l'histoire...
Danny OCEAN alias Frank Sinatra fait une très belle dans le box office de la semaine. Ce film "cool" où Sinatra apparait avec toute une bande de copains (on appelle cela un Rat pack aux USA) a certainement été prévu pour catonner et c'est le cas. Un film très afficace et rythmé. C'est d'autant plus remarquable que "Can-can" avec Frank Sinatra et "Bells are ringing" ont été des cartons et sont toujours à l'affiche. Un bon film mais qui aurait pu croire que 40 ans plus tard que Danny Ocean serait de retour pour 4 films sous les traits de George Clooney et même pour une version féminine.
"La machine à explorer" le temps est un film de science fiction épatant qui m'a éclairé une des soirées adolescentes devant la télévision et "la dernière séance" sur FR3. Un film fort soigné du grand George PAL qui va plutôt rencontrer un beau succès selon les villes où il sera diffusé. Il reste un des classiques des années 60.
"From the terrace" est annoncé avoir passé la barre des 1.5 millions de dollars de recettes aux USA.
Double programme de Brigitte Bardot à Philadelphie avec "la mariée était trop belle" mais aussi l'inédit "Le trou normand" qui est le premier film avec Brigitte Bardot sorti en France en 1952. "Crazy for love" est donc sorti aux USA avant la date de novembre 1960 indiquée par IMDB.
|
|
FILM |
RECETTE |
ECRANS |
|
1 |
FROM THE TERRACE - Du haut de la terrasse (Robson/Newman/Woodward) |
$830 192 |
46 |
|
2 |
BEN-HUR - (Wyler/Heston/Boyd) |
$378 800 |
23 |
|
3 |
PSYCHO - Psychose (Hitchcock/Perkins/Leigh/Miles) |
$279 500 |
13 |
|
4 |
BELLS ARE RINGING - Un numéro du tonnerre (Minnelli/Martin/Holliday) |
$202 500 |
7 |
|
5 |
CAN-CAN - (Lang/Sinatra/MacLaine) |
$165 400 |
16 |
|
6 |
THE APARTMENT - La garconnière (Wilder/Lemmon/MacLaine) |
$146 500 |
11 |
|
7 |
STRANGERS WHEN WE MEET - Liaisons secrètes (Quine/Douglas/Novak) |
$144 600 |
11 |
|
8 |
ELMER GANTRY - (Brooks/Lancaster/Simmons) |
$140 300 |
10 |
|
9 |
POLLYANNA - (Swift/Wyman/Mills) |
$124 500 |
11 |
|
10 |
THE LOST WORLD - (Allen/Rennie/St John) |
$123 000 |
12 |
|
11 |
HERCULES UNCHAINED - Hercule et la reine de Lydie (Francisci/Reeves/Koscina) It / Fr /Esp |
$113 000 |
15 |
|
12 |
PORTRAIT IN BLACK - Meurtre sans faire-part (Gordon/Turner/Quinn) |
$104 600 |
8 |
|
13 |
OCEAN'S 11 - L'inconnu de Las Vegas (Milestone/Sinatra/Dean) |
$98 000 |
4 |
|
14 |
THE BELLBOY - Le dingue du palace (Lewis/Lewis) |
$65 700 |
6 |
|
15 |
SONS AND LOVERS - Amants et fils (Cardiff/Howard/Stockwell) GB |
$49 300 |
3 |
|
16 |
I'M ALL RIGHT JACK - Après moi le déluge (Boulting/Sellers/Terry-Thomas) GB |
$46 000 |
7 |
|
17 |
CAGE OF EVIL - (Cahn/Foster) |
$38 000 |
3 |
|
18 |
13 GHOSTS - (Castle/Herbert) |
$36 500 |
2 |
|
19 |
THE DAY THEY ROBBED THE BANK OF ENGLAND - Le jour où l'on dévalisa la banque d'Angleterre (Guillermin/Ray/O'Toole) GB / US |
$29 900 |
5 |
|
20 |
THE TIME MACHINE - La machine à explorer le temps (Pal/R.Taylor/Mimieux) |
$29 900 |
5 |
|
21 |
THIS IS CINERAMA - (Cooper) documentaire |
$28 000 |
2 |
|
22 |
CARRY ON NURSE - Un thermomètre pour le colonel (Thomas/Williams) GB |
$27 200 |
6 |
|
23 |
PAY OR DIE - La mafia (Wilson/Borgnine) |
$27 000 |
5 |
|
24 |
WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
$27 000 |
2 |
|
25 |
IT STARTED IN NAPLES - C'est arrivé à Naples (Shavelson/Gable/Loren) |
$25 300 |
1 |
|
26 |
SEARCH FOR PARADISE - (Lang) documentaire - cinerama |
$18 000 |
1 |
|
27 |
FOR MEMBERS ONLY - (Herrington) GB |
$17 000 |
2 |
|
28 |
MURDER INC. - Crime société anonyme (Rosenberg/Whitman) |
$16 000 |
2 |
|
29 |
EXPRESSO BONGO - (Guest/Harvey) GB |
$15 600 |
3 |
|
30 |
CHARTROOSE CABOOSE - (Reynolds/Bee) GB |
$15 500 |
1 |
|
31 |
COLLEGE CONFIDENTIAL - (Zugsmith/Allen/Meadows) |
$15 500 |
1 |
|
32 |
NATURE'S PARADISE - Le paradis des nudistes |
$15 000 |
1 |
|
33 |
TARZAN THE MAGNIFICENT - Tarzan le magnifique ( Day/Scott) |
$15 000 |
1 |
|
34 |
BATTLE OF SEXES - La bataille des sexes (Crichton/Sellers) GB |
$13 200 |
2 |
|
35 |
MATING TIME |
$13 000 |
1 |
|
36 |
THE REBEL SET - (Fowler Jr/Palmer) |
$13 000 |
3 |
|
37 |
MARY MAGDALENE - L'épée et la croix (Bragaglia/De Carlo/Mistral) Italie |
$12 000 |
2 |
|
38 |
SKI TROOP ATTACK - (Corman/Forest) |
$12 000 |
2 |
|
39 |
MAN IN THE COCKED HAT - (Boulting/Thomas/Sellers) GB |
$10 700 |
2 |
|
40 |
THE HIGH POWERED RIFLE - (Dexter/Parker) |
$10 700 |
1 |
|
41 |
12 TO THE MOON - (Bradley/Clark) |
$10 000 |
1 |
|
42 |
BLUBEARD'S 10 HONEYMOONS (Wilder/Sanders) |
$10 000 |
1 |
|
43 |
BOBBIKINS - (Day/Jones) GB |
$10 000 |
1 |
|
44 |
HIROSHIMA MON AMOUR - (Riva/Okada) Fr |
$10 000 |
1 |
|
45 |
SCHOOL FOR SCOUNDRELS - L'académie des coquins (Collectif/Terry Thomas) GB |
$10 000 |
1 |
|
46 |
MY DOG BUDDY (Kellogg/London) |
$9 000 |
1 |
|
47 |
OPERATION AMSTERDAM - (McCarthy/Finch) GB |
$9 000 |
1 |
|
48 |
STOP! LOOK! AND LAUGH! - (Appel/3 Stooges) |
$9 000 |
1 |
|
49 |
THE SAVAGE EYE - L'œil sauvage |
$9 000 |
2 |
|
50 |
MA BARKER'S KILLER BROOD - Ma Barker et son gang (Karn/Tuttle) |
$8 000 |
1 |
|
51 |
THE MIRACLE OF THE HILLS - (Landres/Reason) |
$8 000 |
1 |
|
52 |
THE WIND CANNOT READ - Le vent ne sait pas lire (Thomas/Bogarde) GB |
$8 000 |
1 |
|
53 |
ROSEMARY - La fille rosemary (Thiele/Tiller/Van Eyck) - Allemagne |
$7 500 |
2 |
|
54 |
THE 39 STEPS - Les 39 marches (Thomas/More) GB |
$7 400 |
2 |
|
55 |
THE IDIOT - L'idiot (Pyrev) Russie |
$7 200 |
2 |
|
56 |
NOOSE FOR A GUNMAN - (Cahn/Davis) |
$6 700 |
1 |
|
57 |
TOO SOON TO LOVE - Jeunes amants (Rush/West/Evans) |
$6 000 |
1 |
|
58 |
OSCAR WILDE - (Ratoff/Morley/Calvert) GB |
$5 500 |
1 |
|
59 |
THE TRIALS OF OSCAR WILDE - Les procès d'Oscar Wilde (Hughes/Finch/Mason) GB |
$5 500 |
1 |
|
60 |
HELL TO ETERNITY - Saïpan (Karlson/Hunter) |
$5 400 |
1 |
|
61 |
RAYMIE - (McDonald/Ladd) |
$5 400 |
1 |
|
62 |
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
$5 300 |
1 |
|
63 |
THE COSSACKS - Les cosaques (Tourjansky/Purdom/Barrymore) Fr / It |
$5 300 |
1 |
|
64 |
THE BRAMBLE BUSH - Le buisson ardent (Petrie/Burton/Rush) |
$5 000 |
1 |
|
65 |
THREE STRANGE LOVES - La fontaine d'Aréthuse (Bergman/Hanning) - Suède |
$4 600 |
1 |
|
66 |
CRAZY FOR LOVE - Le trou normand (Joffé/Bourvil/Bardot) Fr |
$4 200 |
1 |
|
67 |
HER BRIDAL NIGHT - La mariée est trop belle (Gaspard-Huit/Bardot/Jourdan) Fr |
$4 200 |
1 |
|
68 |
ISLAND OF LOST WOMEN - (Tuttle) |
$4 000 |
1 |
|
69 |
SEX KITTENS GO TO COLLEGE - (Zugsmith/Van Doren) |
$4 000 |
1 |
|
70 |
CONSPIRACY OF HEARTS - Les conspiratrices (Thomas/Palmer/Syms) GB |
$3 000 |
1 |
|
71 |
THE MIRROR HAS TWO FACES - Le miroir à deux faces (Cayatte/Morgan/Bourvil) Fr / It |
$3 000 |
1 |
|
72 |
BRINK OF LIFE - Au seuil de la vie (Bergman/Thulin/Andersson) Suède |
$2 700 |
1 |
|
73 |
CASQUE D'OR - (Becker/Signoret/Reggiani) France |
$2 700 |
1 |
|
74 |
THE REST IS SILENCE - Et tout le reste n'est que silence (Kautner/Kruger/Van Eyck) All |
$2 700 |
1 |
|
75 |
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
$2 200 |
1 |
|
76 |
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
$2 200 |
1 |
|
77 |
JAZZ ON A SUMMER DAY - documentaire |
$2 000 |
1 |
|
78 |
NUDE IN A WHITE CAR - Toi le venin (Hossein/Vlady/Hossein) Fr / It |
$2 000 |
1 |
|
79 |
WOMAN IN A DRESSING GOWN - La femme en robe de chambre (Thompson/Mitchell/Quayle) GB |
$2 000 |
1 |
|
80 |
WHEN COMEDY WAS KING - Quand le rire était roi - documentaire |
$1 800 |
1 |
|
81 |
SUNSET BVLD - Boulevard du crépuscule (Wilder/Holden/Swanson) |
$1 500 |
1 |
THE TIME MACHINE (LA MACHINE A EXPLORER LE TEMPS) - 363 000 entrées en FRANCE
De George PAL avec Rod TAYLOR et Yvette MIMIEUX
Dans un confortable appartement londonien, le 31 décembre 1899, un cercle d'amis attend le maître de maison, George, un célibataire féru de sciences, qui les a invités à dîner. Celui-ci arrive complètement harassé et explique que, grâce à sa machine à voyager dans le temps, il est allé naviguer dans le passé. Ses amis n'en croient pas un traître mot et se retirent. Une fois seul, George met l'appareil en marche pour, cette fois, explorer le futur. Il est transporté successivement en 1917, en 1940, puis en 1966, où une catastrophe nucléaire le propulse vers l'année 802 701. George arrête alors la machine et découvre une Terre dévastée...
|
FILM |
VILLE |
RECETTE |
ECRANS |
|
FROM THE TERRACE - Du haut de la terrasse (Robson/Newman/Woodward) |
|
|
|
|
|
BALTIMORE |
15 000 |
1 |
|
|
BOSTON |
12 000 |
1 |
|
|
BROADWAY |
45 000 |
2 |
|
|
BUFFALO |
10 000 |
1 |
|
|
CHICAGO |
32 000 |
1 |
|
|
CINCINNATI |
13 000 |
1 |
|
|
INDIANAPOLIS |
6 000 |
1 |
|
|
LOS ANGELES |
29 000 |
4 |
|
|
LOUISVILLE |
12 000 |
1 |
|
|
PHILADELPHIA |
26 000 |
1 |
|
|
SAINT LOUIS |
13 000 |
1 |
|
|
SAN FRANCISCO |
13 000 |
1 |
|
|
SEATTLE |
6 700 |
1 |
|
|
TORONTO |
14 000 |
1 |
|
|
USA |
564 492 |
27 |
|
|
WASHINGTON |
19 000 |
1 |
|
Total FROM THE TERRACE - Du haut de la terrasse (Robson/Newman/Woodward) |
|
830 192 |
46 |
|
|
|
|
|
|
BEN-HUR - (Wyler/Heston/Boyd) |
|
|
|
|
|
BALTIMORE |
10 000 |
1 |
|
|
BOSTON |
18 000 |
1 |
|
|
BROADWAY |
55 500 |
1 |
|
|
BUFFALO |
7 200 |
1 |
|
|
CHICAGO |
28 000 |
1 |
|
|
CINCINNATI |
17 000 |
1 |
|
|
DENVER |
14 200 |
1 |
|
|
DETROIT |
21 800 |
1 |
|
|
INDIANAPOLIS |
8 000 |
1 |
|
|
KANSAS CITY |
12 000 |
1 |
|
|
LOS ANGELES |
30 000 |
1 |
|
|
LOUISVILLE |
8 000 |
1 |
|
|
MINNEAPOLIS |
12 000 |
1 |
|
|
OMAHA |
7 200 |
1 |
|
|
PHILADELPHIA |
21 000 |
1 |
|
|
PITTSBURGH |
16 500 |
1 |
|
|
PROVIDENCE |
9 500 |
1 |
|
|
SAINT LOUIS |
13 000 |
1 |
|
|
SAN FRANCISCO |
23 000 |
1 |
|
|
SEATTLE |
21 900 |
2 |
|
|
TORONTO |
7 000 |
1 |
|
|
WASHINGTON |
18 000 |
1 |
|
Total BEN-HUR - (Wyler/Heston/Boyd) |
|
378 800 |
23 |
|
|
|
|
|
|
PSYCHO - Psychose (Hitchcock/Perkins/Leigh/Miles) |
|
|
|
|
|
BALTIMORE |
10 500 |
1 |
|
|
BOSTON |
22 000 |
1 |
|
|
BROADWAY |
55 000 |
2 |
|
|
BUFFALO |
25 000 |
1 |
|
|
CINCINNATI |
17 000 |
1 |
|
|
DETROIT |
34 000 |
1 |
|
|
KANSAS CITY |
21 000 |
1 |
|
|
MINNEAPOLIS |
27 000 |
1 |
|
|
OMAHA |
9 500 |
1 |
|
|
PHILADELPHIA |
16 000 |
1 |
|
|
PROVIDENCE |
17 000 |
1 |
|
|
WASHINGTON |
25 500 |
1 |
|
Total PSYCHO - Psychose (Hitchcock/Perkins/Leigh/Miles) |
|
279 500 |
13 |
|
|
|
|
|
|
BELLS ARE RINGING - Un numéro du tonnerre (Minnelli/Martin/Holliday) |
|
|
|
|
|
BALTIMORE |
11 000 |
1 |
|
|
BOSTON |
16 000 |
1 |
|
|
BROADWAY |
145 000 |
1 |
|
|
BUFFALO |
7 000 |
1 |
|
|
DETROIT |
7 000 |
1 |
|
|
LOS ANGELES |
9 000 |
1 |
|
|
PROVIDENCE |
7 500 |
1 |
|
Total BELLS ARE RINGING - Un numéro du tonnerre (Minnelli/Martin/Holliday) |
|
202 500 |
7 |
|
|
|
|
|
|
CAN-CAN - (Lang/Sinatra/MacLaine) |
|
|
|
|
|
BALTIMORE |
6 000 |
1 |
|
|
BROADWAY |
26 500 |
1 |
|
|
CHICAGO |
21 000 |
1 |
|
|
CINCINNATI |
10 500 |
1 |
|
|
DENVER |
5 800 |
1 |
|
|
DETROIT |
17 000 |
1 |
|
|
KANSAS CITY |
7 000 |
1 |
|
|
LOS ANGELES |
10 000 |
1 |
|
|
MINNEAPOLIS |
10 000 |
1 |
|
|
PHILADELPHIA |
11 000 |
1 |
|
|
PITTSBURGH |
4 000 |
1 |
|
|
SAINT LOUIS |
5 000 |
1 |
|
|
SAN FRANCISCO |
13 000 |
1 |
|
|
SEATTLE |
6 100 |
1 |
|
|
TORONTO |
6 000 |
1 |
|
|
WASHINGTON |
6 500 |
1 |
|
Total CAN-CAN - (Lang/Sinatra/MacLaine) |
|
165 400 |
16 |
|
|
|
|
|
|
THE APARTMENT - La garconnière (Wilder/Lemmon/MacLaine) |
|
|
|
|
|
BROADWAY |
41 200 |
2 |
|
|
CHICAGO |
23 000 |
1 |
|
|
CINCINNATI |
8 500 |
1 |
|
|
LOS ANGELES |
38 000 |
3 |
|
|
LOUISVILLE |
6 000 |
1 |
|
|
MINNEAPOLIS |
7 800 |
1 |
|
|
TORONTO |
10 000 |
1 |
|
|
WASHINGTON |
12 000 |
1 |
|
Total THE APARTMENT - La garconnière (Wilder/Lemmon/MacLaine) |
|
146 500 |
11 |
|
|
|
|
|
|
STRANGERS WHEN WE MEET - Liaisons secrètes (Quine/Douglas/Novak) |
|
|
|
|
|
BROADWAY |
26 500 |
1 |
|
|
BUFFALO |
10 400 |
1 |
|
|
DENVER |
12 000 |
1 |
|
|
DETROIT |
32 000 |
1 |
|
|
INDIANAPOLIS |
9 000 |
1 |
|
|
KANSAS CITY |
7 500 |
1 |
|
|
LOS ANGELES |
10 000 |
1 |
|
|
MINNEAPOLIS |
6 000 |
1 |
|
|
PHILADELPHIA |
15 000 |
1 |
|
|
PITTSBURGH |
8 900 |
1 |
|
|
WASHINGTON |
7 300 |
1 |
|
Total STRANGERS WHEN WE MEET - Liaisons secrètes (Quine/Douglas/Novak) |
|
144 600 |
11 |
|
|
|
|
|
|
ELMER GANTRY - (Brooks/Lancaster/Simmons) |
|
|
|
|
|
BALTIMORE |
9 000 |
1 |
|
|
BOSTON |
19 000 |
1 |
|
|
BROADWAY |
20 000 |
1 |
|
|
INDIANAPOLIS |
10 000 |
1 |
|
|
KANSAS CITY |
9 000 |
1 |
|
|
LOS ANGELES |
14 000 |
1 |
|
|
PHILADELPHIA |
18 000 |
1 |
|
|
PITTSBURGH |
17 000 |
1 |
|
|
SAN FRANCISCO |
18 000 |
1 |
|
|
SEATTLE |
6 300 |
1 |
|
Total ELMER GANTRY - (Brooks/Lancaster/Simmons) |
|
140 300 |
10 |
|
|
|
|
|
|
POLLYANNA - (Swift/Wyman/Mills) |
|
|
|
|
|
BOSTON |
9 000 |
1 |
|
|
BUFFALO |
7 000 |
1 |
|
|
CHICAGO |
37 000 |
1 |
|
|
DENVER |
11 000 |
1 |
|
|
DETROIT |
7 000 |
1 |
|
|
KANSAS CITY |
7 000 |
1 |
|
|
LOS ANGELES |
17 000 |
1 |
|
|
MINNEAPOLIS |
5 500 |
1 |
|
|
OMAHA |
7 500 |
1 |
|
|
PHILADELPHIA |
7 000 |
1 |
|
|
SAINT LOUIS |
9 500 |
1 |
|
Total POLLYANNA - (Swift/Wyman/Mills) |
|
124 500 |
11 |
|
|
|
|
|
|
THE LOST WORLD - (Allen/Rennie/St John) |
|
|
|
|
|
BALTIMORE |
7 000 |
1 |
|
|
BROADWAY |
16 500 |
1 |
|
|
CHICAGO |
22 000 |
1 |
|
|
CINCINNATI |
7 000 |
1 |
|
|
DENVER |
9 000 |
1 |
|
|
INDIANAPOLIS |
8 000 |
1 |
|
|
KANSAS CITY |
15 000 |
1 |
|
|
OMAHA |
6 500 |
1 |
|
|
PHILADELPHIA |
6 000 |
1 |
|
|
PITTSBURGH |
5 000 |
1 |
|
|
SAN FRANCISCO |
10 000 |
1 |
|
|
TORONTO |
11 000 |
1 |
|
Total THE LOST WORLD - (Allen/Rennie/St John) |
|
123 000 |
12 |
|
|
|
|
|
|
HERCULES UNCHAINED - Hercule et la reine de Lydie (Francisci/Reeves/Koscina) It / Fr /Esp |
|
|
|
|
|
DENVER |
14 000 |
1 |
|
|
KANSAS CITY |
5 500 |
1 |
|
|
MINNEAPOLIS |
8 000 |
1 |
|
|
SAINT LOUIS |
20 000 |
1 |
|
|
TORONTO |
55 000 |
9 |
|
|
WASHINGTON |
10 500 |
2 |
|
Total HERCULES UNCHAINED - Hercule et la reine de Lydie (Francisci/Reeves/Koscina) It / Fr /Esp |
|
113 000 |
15 |
|
|
|
|
|
|
PORTRAIT IN BLACK - Meurtre sans faire-part (Gordon/Turner/Quinn) |
|
|
|
|
|
BOSTON |
7 000 |
1 |
|
|
BROADWAY |
41 000 |
2 |
|
|
CHICAGO |
17 000 |
1 |
|
|
LOUISVILLE |
4 000 |
1 |
|
|
PHILADELPHIA |
20 000 |
1 |
|
|
PROVIDENCE |
6 000 |
1 |
|
|
TORONTO |
9 600 |
1 |
|
Total PORTRAIT IN BLACK - Meurtre sans faire-part (Gordon/Turner/Quinn) |
|
104 600 |
8 |
|
|
|
|
|
|
OCEAN'S 11 - L'inconnu de Las Vegas (Milestone/Sinatra/Dean) |
|
|
|
|
|
LOUISVILLE |
13 000 |
1 |
|
|
PHILADELPHIA |
38 000 |
1 |
|
|
SAINT LOUIS |
20 000 |
1 |
|
|
SAN FRANCISCO |
27 000 |
1 |
|
Total OCEAN'S 11 - L'inconnu de Las Vegas (Milestone/Sinatra/Dean) |
|
98 000 |
4 |
|
|
|
|
|
|
THE BELLBOY - Le dingue du palace (Lewis/Lewis) |
|
|
|
|
|
DENVER |
6 700 |
1 |
|
|
MINNEAPOLIS |
4 000 |
1 |
|
|
PITTSBURGH |
10 000 |
1 |
|
|
SAINT LOUIS |
12 000 |
1 |
|
|
SAN FRANCISCO |
15 000 |
1 |
|
|
WASHINGTON |
18 000 |
1 |
|
Total THE BELLBOY - Le dingue du palace (Lewis/Lewis) |
|
65 700 |
6 |
|
|
|
|
|
|
SONS AND LOVERS - Amants et fils (Cardiff/Howard/Stockwell) GB |
|
|
|
|
|
BROADWAY |
44 000 |
2 |
|
|
WASHINGTON |
5 300 |
1 |
|
Total SONS AND LOVERS - Amants et fils (Cardiff/Howard/Stockwell) GB |
|
49 300 |
3 |
|
|
|
|
|
|
I'M ALL RIGHT JACK - Après moi le déluge (Boulting/Sellers/Terry-Thomas) GB |
|
|
|
|
|
BALTIMORE |
3 000 |
1 |
|
|
BROADWAY |
11 000 |
1 |
|
|
CHICAGO |
5 000 |
1 |
|
|
LOS ANGELES |
8 000 |
1 |
|
|
MINNEAPOLIS |
4 000 |
1 |
|
|
SAN FRANCISCO |
8 000 |
1 |
|
|
WASHINGTON |
7 000 |
1 |
|
Total I'M ALL RIGHT JACK - Après moi le déluge (Boulting/Sellers/Terry-Thomas) GB |
|
46 000 |
7 |
|
|
|
|
|
|
CAGE OF EVIL - (Cahn/Foster) |
|
|
|
|
|
LOS ANGELES |
38 000 |
3 |
|
Total CAGE OF EVIL - (Cahn/Foster) |
|
38 000 |
3 |
|
|
|
|
|
|
13 GHOSTS - (Castle/Herbert) |
|
|
|
|
|
BROADWAY |
27 000 |
1 |
|
|
CHICAGO |
9 500 |
1 |
|
Total 13 GHOSTS - (Castle/Herbert) |
|
36 500 |
2 |
|
|
|
|
|
|
THE DAY THEY ROBBED THE BANK OF ENGLAND - Le jour où l'on dévalisa la banque d'Angleterre (Guillermin/Ray/O'Toole) GB / US |
|
|
|
|
|
LOS ANGELES |
15 000 |
3 |
|
|
MINNEAPOLIS |
6 500 |
1 |
|
|
SEATTLE |
8 400 |
1 |
|
Total THE DAY THEY ROBBED THE BANK OF ENGLAND - Le jour où l'on dévalisa la banque d'Angleterre (Guillermin/Ray/O'Toole) GB / US |
29 900 |
5 |
|
|
|
|
|
|
|
THE TIME MACHINE - La machine à explorer le temps (Pal/R.Taylor/Mimieux) |
|
|
|
|
|
LOS ANGELES |
15 000 |
3 |
|
|
MINNEAPOLIS |
6 500 |
1 |
|
|
SEATTLE |
8 400 |
1 |
|
Total THE TIME MACHINE - La machine à explorer le temps (Pal/R.Taylor/Mimieux) |
|
29 900 |
5 |
|
|
|
|
|
|
THIS IS CINERAMA - (Cooper) documentaire |
|
|
|
|
|
BOSTON |
9 000 |
1 |
|
|
SAN FRANCISCO |
19 000 |
1 |
|
Total THIS IS CINERAMA - (Cooper) documentaire |
|
28 000 |
2 |
|
|
|
|
|
|
CARRY ON NURSE - Un thermomètre pour le colonel (Thomas/Williams) GB |
|
|
|
|
|
BOSTON |
6 000 |
1 |
|
|
DENVER |
4 400 |
1 |
|
|
KANSAS CITY |
3 000 |
1 |
|
|
LOS ANGELES |
3 300 |
1 |
|
|
SAINT LOUIS |
1 000 |
1 |
|
|
TORONTO |
9 500 |
1 |
|
Total CARRY ON NURSE - Un thermomètre pour le colonel (Thomas/Williams) GB |
|
27 200 |
6 |
|
|
|
|
|
|
PAY OR DIE - La mafia (Wilson/Borgnine) |
|
|
|
|
|
CHICAGO |
4 000 |
1 |
|
|
LOS ANGELES |
13 000 |
3 |
|
|
SAN FRANCISCO |
10 000 |
1 |
|
Total PAY OR DIE - La mafia (Wilson/Borgnine) |
|
27 000 |
5 |
|
|
|
|
|
|
WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
|
|
|
|
|
CINCINNATI |
8 000 |
1 |
|
|
DETROIT |
19 000 |
1 |
|
Total WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
|
27 000 |
2 |
|
|
|
|
|
|
IT STARTED IN NAPLES - C'est arrivé à Naples (Shavelson/Gable/Loren) |
|
|
|
|
|
CHICAGO |
25 300 |
1 |
|
Total IT STARTED IN NAPLES - C'est arrivé à Naples (Shavelson/Gable/Loren) |
|
25 300 |
1 |
|
|
|
|
|
|
SEARCH FOR PARADISE - (Lang) documentaire - cinerama |
|
|
|
|
|
LOS ANGELES |
18 000 |
1 |
|
Total SEARCH FOR PARADISE - (Lang) documentaire - cinerama |
|
18 000 |
1 |
|
|
|
|
|
|
FOR MEMBERS ONLY - (Herrington) GB |
|
|
|
|
|
BOSTON |
13 000 |
1 |
|
|
WASHINGTON |
4 000 |
1 |
|
Total FOR MEMBERS ONLY - (Herrington) GB |
|
17 000 |
2 |
|
|
|
|
|
|
MURDER INC. - Crime société anonyme (Rosenberg/Whitman) |
|
|
|
|
|
DETROIT |
8 000 |
1 |
|
|
PROVIDENCE |
8 000 |
1 |
|
Total MURDER INC. - Crime société anonyme (Rosenberg/Whitman) |
|
16 000 |
2 |
|
|
|
|
|
|
EXPRESSO BONGO - (Guest/Harvey) GB |
|
|
|
|
|
BOSTON |
7 000 |
1 |
|
|
CINCINNATI |
1 100 |
1 |
|
|
DETROIT |
7 500 |
1 |
|
Total EXPRESSO BONGO - (Guest/Harvey) GB |
|
15 600 |
3 |
|
|
|
|
|
|
CHARTROOSE CABOOSE - (Reynolds/Bee) GB |
|
|
|
|
|
DETROIT |
15 500 |
1 |
|
Total CHARTROOSE CABOOSE - (Reynolds/Bee) GB |
|
15 500 |
1 |
|
|
|
|
|
|
COLLEGE CONFIDENTIAL - (Zugsmith/Allen/Meadows) |
|
|
|
|
|
DETROIT |
15 500 |
1 |
|
Total COLLEGE CONFIDENTIAL - (Zugsmith/Allen/Meadows) |
|
15 500 |
1 |
|
|
|
|
|
|
NATURE'S PARADISE - Le paradis des nudistes |
|
|
|
|
|
BROADWAY |
15 000 |
1 |
|
Total NATURE'S PARADISE - Le paradis des nudistes |
|
15 000 |
1 |
|
|
|
|
|
|
TARZAN THE MAGNIFICENT - Tarzan le magnifique ( Day/Scott) |
|
|
|
|
|
SAN FRANCISCO |
15 000 |
1 |
|
Total TARZAN THE MAGNIFICENT - Tarzan le magnifique ( Day/Scott) |
|
15 000 |
1 |
|
|
|
|
|
|
BATTLE OF SEXES - La bataille des sexes (Crichton/Sellers) GB |
|
|
|
|
|
CINCINNATI |
13 200 |
2 |
|
Total BATTLE OF SEXES - La bataille des sexes (Crichton/Sellers) GB |
|
13 200 |
2 |
|
|
|
|
|
|
MATING TIME |
|
|
|
|
|
BOSTON |
13 000 |
1 |
|
Total MATING TIME |
|
13 000 |
1 |
|
|
|
|
|
|
THE REBEL SET - (Fowler Jr/Palmer) |
|
|
|
|
|
LOS ANGELES |
13 000 |
3 |
|
Total THE REBEL SET - (Fowler Jr/Palmer) |
|
13 000 |
3 |
|
|
|
|
|
|
MARY MAGDALENE - L'épée et la croix (Bragaglia/De Carlo/Mistral) Italie |
|
|
|
|
|
LOS ANGELES |
12 000 |
2 |
|
Total MARY MAGDALENE - L'épée et la croix (Bragaglia/De Carlo/Mistral) Italie |
|
12 000 |
2 |
|
|
|
|
|
|
SKI TROOP ATTACK - (Corman/Forest) |
|
|
|
|
|
LOS ANGELES |
12 000 |
2 |
|
Total SKI TROOP ATTACK - (Corman/Forest) |
|
12 000 |
2 |
|
|
|
|
|
|
MAN IN THE COCKED HAT - (Boulting/Thomas/Sellers) GB |
|
|
|
|
|
BROADWAY |
8 700 |
1 |
|
|
KANSAS CITY |
2 000 |
1 |
|
Total MAN IN THE COCKED HAT - (Boulting/Thomas/Sellers) GB |
|
10 700 |
2 |
|
|
|
|
|
|
THE HIGH POWERED RIFLE - (Dexter/Parker) |
|
|
|
|
|
SEATTLE |
10 700 |
1 |
|
Total THE HIGH POWERED RIFLE - (Dexter/Parker) |
|
10 700 |
1 |
|
|
|
|
|
|
12 TO THE MOON - (Bradley/Clark) |
|
|
|
|
|
CINCINNATI |
10 000 |
1 |
|
Total 12 TO THE MOON - (Bradley/Clark) |
|
10 000 |
1 |
|
|
|
|
|
|
BLUBEARD'S 10 HONEYMOONS (Wilder/Sanders) |
|
|
|
|
|
SAN FRANCISCO |
10 000 |
1 |
|
Total BLUBEARD'S 10 HONEYMOONS (Wilder/Sanders) |
|
10 000 |
1 |
|
|
|
|
|
|
BOBBIKINS - (Day/Jones) GB |
|
|
|
|
|
SAN FRANCISCO |
10 000 |
1 |
|
Total BOBBIKINS - (Day/Jones) GB |
|
10 000 |
1 |
|
|
|
|
|
|
HIROSHIMA MON AMOUR - (Riva/Okada) Fr |
|
|
|
|
|
BROADWAY |
10 000 |
1 |
|
Total HIROSHIMA MON AMOUR - (Riva/Okada) Fr |
|
10 000 |
1 |
|
|
|
|
|
|
SCHOOL FOR SCOUNDRELS - L'académie des coquins (Collectif/Terry Thomas) GB |
|
|
|
|
|
BROADWAY |
10 000 |
1 |
|
Total SCHOOL FOR SCOUNDRELS - L'académie des coquins (Collectif/Terry Thomas) GB |
|
10 000 |
1 |
|
|
|
|
|
|
MY DOG BUDDY (Kellogg/London) |
|
|
|
|
|
BOSTON |
9 000 |
1 |
|
Total MY DOG BUDDY (Kellogg/London) |
|
9 000 |
1 |
|
|
|
|
|
|
OPERATION AMSTERDAM - (McCarthy/Finch) GB |
|
|
|
|
|
DENVER |
9 000 |
1 |
|
Total OPERATION AMSTERDAM - (McCarthy/Finch) GB |
|
9 000 |
1 |
|
|
|
|
|
|
STOP! LOOK! AND LAUGH! - (Appel/3 Stooges) |
|
|
|
|
|
BOSTON |
9 000 |
1 |
|
Total STOP! LOOK! AND LAUGH! - (Appel/3 Stooges) |
|
9 000 |
1 |
|
|
|
|
|
|
THE SAVAGE EYE - L'œil sauvage |
|
|
|
|
|
BROADWAY |
6 500 |
1 |
|
|
LOS ANGELES |
2 500 |
1 |
|
Total THE SAVAGE EYE - L'œil sauvage |
|
9 000 |
2 |
|
|
|
|
|
|
MA BARKER'S KILLER BROOD - Ma Barker et son gang (Karn/Tuttle) |
|
|
|
|
|
DETROIT |
8 000 |
1 |
|
Total MA BARKER'S KILLER BROOD - Ma Barker et son gang (Karn/Tuttle) |
|
8 000 |
1 |
|
|
|
|
|
|
THE MIRACLE OF THE HILLS - (Landres/Reason) |
|
|
|
|
|
INDIANAPOLIS |
8 000 |
1 |
|
Total THE MIRACLE OF THE HILLS - (Landres/Reason) |
|
8 000 |
1 |
|
|
|
|
|
|
THE WIND CANNOT READ - Le vent ne sait pas lire (Thomas/Bogarde) GB |
|
|
|
|
|
PROVIDENCE |
8 000 |
1 |
|
Total THE WIND CANNOT READ - Le vent ne sait pas lire (Thomas/Bogarde) GB |
|
8 000 |
1 |
|
|
|
|
|
|
ROSEMARY - La fille rosemary (Thiele/Tiller/Van Eyck) - Allemagne |
|
|
|
|
|
BALTIMORE |
3 000 |
1 |
|
|
TORONTO |
4 500 |
1 |
|
Total ROSEMARY - La fille rosemary (Thiele/Tiller/Van Eyck) - Allemagne |
|
7 500 |
2 |
|
|
|
|
|
|
THE 39 STEPS - Les 39 marches (Thomas/More) GB |
|
|
|
|
|
BOSTON |
3 200 |
1 |
|
|
PITTSBURGH |
4 200 |
1 |
|
Total THE 39 STEPS - Les 39 marches (Thomas/More) GB |
|
7 400 |
2 |
|
|
|
|
|
|
THE IDIOT - L'idiot (Pyrev) Russie |
|
|
|
|
|
BROADWAY |
4 500 |
1 |
|
|
WASHINGTON |
2 700 |
1 |
|
Total THE IDIOT - L'idiot (Pyrev) Russie |
|
7 200 |
2 |
|
|
|
|
|
|
NOOSE FOR A GUNMAN - (Cahn/Davis) |
|
|
|
|
|
DENVER |
6 700 |
1 |
|
Total NOOSE FOR A GUNMAN - (Cahn/Davis) |
|
6 700 |
1 |
|
|
|
|
|
|
TOO SOON TO LOVE - Jeunes amants (Rush/West/Evans) |
|
|
|
|
|
PROVIDENCE |
6 000 |
1 |
|
Total TOO SOON TO LOVE - Jeunes amants (Rush/West/Evans) |
|
6 000 |
1 |
|
|
|
|
|
|
OSCAR WILDE - (Ratoff/Morley/Calvert) GB |
|
|
|
|
|
BROADWAY |
5 500 |
1 |
|
Total OSCAR WILDE - (Ratoff/Morley/Calvert) GB |
|
5 500 |
1 |
|
|
|
|
|
|
THE TRIALS OF OSCAR WILDE - Les procès d'Oscar Wilde (Hughes/Finch/Mason) GB |
|
|
|
|
|
BROADWAY |
5 500 |
1 |
|
Total THE TRIALS OF OSCAR WILDE - Les procès d'Oscar Wilde (Hughes/Finch/Mason) GB |
|
5 500 |
1 |
|
|
|
|
|
|
HELL TO ETERNITY - Saïpan (Karlson/Hunter) |
|
|
|
|
|
SEATTLE |
5 400 |
1 |
|
Total HELL TO ETERNITY - Saïpan (Karlson/Hunter) |
|
5 400 |
1 |
|
|
|
|
|
|
RAYMIE - (McDonald/Ladd) |
|
|
|
|
|
SEATTLE |
5 400 |
1 |
|
Total RAYMIE - (McDonald/Ladd) |
|
5 400 |
1 |
|
|
|
|
|
|
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
|
|
|
|
CHICAGO |
5 300 |
1 |
|
Total SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
5 300 |
1 |
|
|
|
|
|
|
THE COSSACKS - Les cosaques (Tourjansky/Purdom/Barrymore) Fr / It |
|
|
|
|
|
CHICAGO |
5 300 |
1 |
|
Total THE COSSACKS - Les cosaques (Tourjansky/Purdom/Barrymore) Fr / It |
|
5 300 |
1 |
|
|
|
|
|
|
THE BRAMBLE BUSH - Le buisson ardent (Petrie/Burton/Rush) |
|
|
|
|
|
TORONTO |
5 000 |
1 |
|
Total THE BRAMBLE BUSH - Le buisson ardent (Petrie/Burton/Rush) |
|
5 000 |
1 |
|
|
|
|
|
|
THREE STRANGE LOVES - La fontaine d'Aréthuse (Bergman/Hanning) - Suède |
|
|
|
|
|
CHICAGO |
4 600 |
1 |
|
Total THREE STRANGE LOVES - La fontaine d'Aréthuse (Bergman/Hanning) - Suède |
|
4 600 |
1 |
|
|
|
|
|
|
CRAZY FOR LOVE - Le trou normand (Joffé/Bourvil/Bardot) Fr |
|
|
|
|
|
PHILADELPHIA |
4 200 |
1 |
|
Total CRAZY FOR LOVE - Le trou normand (Joffé/Bourvil/Bardot) Fr |
|
4 200 |
1 |
|
|
|
|
|
|
HER BRIDAL NIGHT - La mariée est trop belle (Gaspard-Huit/Bardot/Jourdan) Fr |
|
|
|
|
|
PHILADELPHIA |
4 200 |
1 |
|
Total HER BRIDAL NIGHT - La mariée est trop belle (Gaspard-Huit/Bardot/Jourdan) Fr |
|
4 200 |
1 |
|
|
|
|
|
|
ISLAND OF LOST WOMEN - (Tuttle) |
|
|
|
|
|
BOSTON |
4 000 |
1 |
|
Total ISLAND OF LOST WOMEN - (Tuttle) |
|
4 000 |
1 |
|
|
|
|
|
|
SEX KITTENS GO TO COLLEGE - (Zugsmith/Van Doren) |
|
|
|
|
|
BOSTON |
4 000 |
1 |
|
Total SEX KITTENS GO TO COLLEGE - (Zugsmith/Van Doren) |
|
4 000 |
1 |
|
|
|
|
|
|
CONSPIRACY OF HEARTS - Les conspiratrices (Thomas/Palmer/Syms) GB |
|
|
|
|
|
BALTIMORE |
3 000 |
1 |
|
Total CONSPIRACY OF HEARTS - Les conspiratrices (Thomas/Palmer/Syms) GB |
|
3 000 |
1 |
|
|
|
|
|
|
THE MIRROR HAS TWO FACES - Le miroir à deux faces (Cayatte/Morgan/Bourvil) Fr / It |
|
|
|
|
|
TORONTO |
3 000 |
1 |
|
Total THE MIRROR HAS TWO FACES - Le miroir à deux faces (Cayatte/Morgan/Bourvil) Fr / It |
|
3 000 |
1 |
|
|
|
|
|
|
BRINK OF LIFE - Au seuil de la vie (Bergman/Thulin/Andersson) Suède |
|
|
|
|
|
PHILADELPHIA |
2 700 |
1 |
|
Total BRINK OF LIFE - Au seuil de la vie (Bergman/Thulin/Andersson) Suède |
|
2 700 |
1 |
|
|
|
|
|
|
CASQUE D'OR - (Becker/Signoret/Reggiani) France |
|
|
|
|
|
PHILADELPHIA |
2 700 |
1 |
|
Total CASQUE D'OR - (Becker/Signoret/Reggiani) France |
|
2 700 |
1 |
|
|
|
|
|
|
THE REST IS SILENCE - Et tout le reste n'est que silence (Kautner/Kruger/Van Eyck) All |
|
|
|
|
|
BROADWAY |
2 700 |
1 |
|
Total THE REST IS SILENCE - Et tout le reste n'est que silence (Kautner/Kruger/Van Eyck) All |
|
2 700 |
1 |
|
|
|
|
|
|
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
|
|
|
|
WASHINGTON |
2 200 |
1 |
|
Total PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
2 200 |
1 |
|
|
|
|
|
|
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
|
|
|
|
WASHINGTON |
2 200 |
1 |
|
Total SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
2 200 |
1 |
|
|
|
|
|
|
JAZZ ON A SUMMER DAY - documentaire |
|
|
|
|
|
BUFFALO |
2 000 |
1 |
|
Total JAZZ ON A SUMMER DAY - documentaire |
|
2 000 |
1 |
|
|
|
|
|
|
NUDE IN A WHITE CAR - Toi le venin (Hossein/Vlady/Hossein) Fr / It |
|
|
|
|
|
BALTIMORE |
2 000 |
1 |
|
Total NUDE IN A WHITE CAR - Toi le venin (Hossein/Vlady/Hossein) Fr / It |
|
2 000 |
1 |
|
|
|
|
|
|
WOMAN IN A DRESSING GOWN - La femme en robe de chambre (Thompson/Mitchell/Quayle) GB |
|
|
|
|
|
KANSAS CITY |
2 000 |
1 |
|
Total WOMAN IN A DRESSING GOWN - La femme en robe de chambre (Thompson/Mitchell/Quayle) GB |
2 000 |
1 |
|
|
|
|
|
|
|
WHEN COMEDY WAS KING - Quand le rire était roi - documentaire |
|
|
|
|
|
CINCINNATI |
1 800 |
1 |
|
Total WHEN COMEDY WAS KING - Quand le rire était roi - documentaire |
|
1 800 |
1 |
|
|
|
|
|
|
SUNSET BVLD - Boulevard du crépuscule (Wilder/Holden/Swanson) |
|
|
|
|
|
SAN FRANCISCO |
1 500 |
1 |
|
Total SUNSET BVLD - Boulevard du crépuscule (Wilder/Holden/Swanson) |
|
1 500 |
1 |
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