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THE WRECK OF THE MARY DEARE (CARGAISON DANGEREUSE) 1 223 000 entrées en FRANCE
De Michael ANDERSON avec Gary COOPER et Charlton HESTON
En pleine tempête, John Sands, patron d'un remorqueur, manque d'être éperonné dans la Manche par un imposant cargo. La collision est évitée d'extrême justesse. Il s'approche, hèle l'équipage mais n'obtient pas de réponse. Le navire semble abandonné. Sands se hisse à bord du bâtiment : c'est le «Mary-Deare», de Hongkong. Il finit par découvrir un homme hagard, qui lui ordonne de s'en aller. Sands tente de rejoindre son remorqueur, mais la tempête l'en empêche. Il se voit donc contraint de rester à bord avec l'inquiétant inconnu, qui se révèle être Gerald Patch, le capitaine du navire. Sands accuse aussitôt Patch d'avoir sabordé le «Mary-Deare»..
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|
FILM |
RECETTE |
ECRANS |
|
1 |
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
$250 300 |
20 |
|
2 |
THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
$156 800 |
15 |
|
3 |
CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
$149 000 |
12 |
|
4 |
PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
$144 400 |
12 |
|
5 |
THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
$131 300 |
12 |
|
6 |
THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
$120 900 |
16 |
|
7 |
A SUMMER PLACE - Ils n'ont que 20 ans…(Daves/Egan/McGuire/Dee) |
$115 000 |
1 |
|
8 |
THE LAST ANGRY MAN - La colère du juste (Mann/Muni/Wayne) |
$84 300 |
6 |
|
9 |
ODDS AGAINST TOMORROW - Le coup de l'escalier (Wise/Belafonte/Ryan) |
$78 400 |
10 |
|
10 |
SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
$64 000 |
5 |
|
11 |
HOUND-DOG MAN - Le vagabond des bois maudits (Siegel/Fabian/Whitman) |
$63 100 |
9 |
|
12 |
*30* - (Webb/Webb/Conrad) |
$54 500 |
7 |
|
13 |
SOUTH SEAS ADVENTURES - cinerama - collectif |
$51 500 |
4 |
|
14 |
THE WRECK OF THE MARY DEARE - Cargaison dangereuse (Anderson/Cooper/Heston) |
$45 000 |
1 |
|
15 |
BATTLE OF THE CORAL SEA - La bataille de la mer de corail (Wendkos/Robertson/Scala) |
$40 200 |
9 |
|
16 |
THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
$37 500 |
3 |
|
17 |
THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
$34 000 |
6 |
|
18 |
THE MOUSE THAT ROARED - La souris qui rugissait (Arnold/Sellers/Seberg) |
$31 800 |
3 |
|
19 |
IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
$26 800 |
3 |
|
20 |
SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
$24 500 |
7 |
|
21 |
THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
$23 200 |
5 |
|
22 |
THE TRUTH ABOUT WOMEN - La vérité sur les femmes (Box/harvey/Harris) |
$23 000 |
3 |
|
23 |
SON OF ROBIN HOOD - Robin des Bois Don Juan (Sherman/Hedison) |
$22 000 |
2 |
|
24 |
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
$21 300 |
2 |
|
25 |
WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
$20 000 |
1 |
|
26 |
LIBEL - La nuit est mon ennemie (Asquith/Bogarde/De Havilland) |
$19 500 |
3 |
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27 |
WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
$19 500 |
6 |
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28 |
NEW ORLEANS AFTER DARK - (Sledge/Harris) |
$18 000 |
2 |
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29 |
THE LOVE SPECIALIST - La blonde enjoleuse (Zampa/Dors/Gassman) Italie |
$17 500 |
1 |
|
30 |
BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
$16 500 |
2 |
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31 |
COUNTRY MUSIC HOLIDAY |
$16 500 |
6 |
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32 |
YESTERDAY'S ENEMY - Section d'assaut sur le Sittang (Guest/Baker) GB |
$16 000 |
2 |
|
33 |
ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
$15 500 |
2 |
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34 |
COUNTERPLOT - (Neumann/Tucker/Hayes) |
$15 000 |
1 |
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35 |
THE JAYHAWKERS - Violence au Kansas (Frank/Chandler) |
$15 000 |
1 |
|
36 |
ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
$14 400 |
3 |
|
37 |
GIRLS TOWN - (Haas/Van Doren) |
$13 500 |
2 |
|
38 |
THE 30 FOOT BRIDE OF CANDY ROCK - (Miller/Costello/Provine) |
$13 000 |
1 |
|
39 |
THE WARRIOR AND THE SLAVE GIRL - La révolte des gladiateurs (Cottafavi/Canale) It / Fr / Esp |
$13 000 |
1 |
|
40 |
BLOOD AND STEEL - (Kowalski/Lupton) |
$12 000 |
1 |
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41 |
NO WAY OUT - La porte s'ouvre (Mankiewicz/Widmark/Darnell) |
$12 000 |
1 |
|
42 |
INSIDE THE MAFIA - (Cahn/Mitchell) |
$10 500 |
2 |
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43 |
CITY OF FEAR - (Bezencenet/Maxwell) GB / Allemagne |
$10 000 |
4 |
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44 |
THE HORSE'S MOUTH - (Neame/Guinness) GB |
$10 000 |
1 |
|
45 |
THE YOUNG LAND - (Tetzloff/P.Wayne) |
$10 000 |
4 |
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46 |
SUBWAY IN THE SKY - Cri d'angoisse (Box/Johnson/Knef) GB |
$9 500 |
2 |
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47 |
PANIC IN THE STREETS - Panique dans la rue (Kazan/Widmark) |
$9 000 |
1 |
|
48 |
THE DEVIL'S DISCIPLE - Au fil de l'épée (Hamilton/Lancaster/Douglas/Olivier) |
$9 000 |
1 |
|
49 |
ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
$8 900 |
2 |
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50 |
GUNMEN FROM LAREDO - (MacDonald/Knapp) |
$8 600 |
1 |
|
51 |
TARZAN THE APE MAN - Tarzan l'homme singe (Newman/Miller) |
$8 500 |
1 |
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52 |
THE HOUSE OF THE SEVEN HAWKS - La maison des sept faucons (Thorpe:R.Taylor/Maurey) |
$8 500 |
1 |
|
53 |
THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
$8 500 |
3 |
|
54 |
HELL'S CROSSROADS - Carrefour de la vengeance (Adreon/MacNally) |
$8 000 |
1 |
|
55 |
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
$7 500 |
1 |
|
56 |
BEND OF THE RIVER - Les affameurs (Mann/Stewart/Hudson) |
$7 300 |
2 |
|
57 |
FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
$7 000 |
1 |
|
58 |
GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
$6 600 |
1 |
|
59 |
BLUE DENIM - Blue jeans (Dunne/Lynley/De Wilde) |
$6 000 |
1 |
|
60 |
THE MIRACLE OF THE HILLS - (Landres/Reason) |
$6 000 |
1 |
|
61 |
THREE MURDERESSES - Faibles femmes (Delon/Demongeot/Petit) Fr / It |
$5 500 |
1 |
|
62 |
THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
$5 200 |
1 |
|
63 |
A WOMAN LIKE SATAN - La femme et le pantin (Duvivier/Bardot) Fr |
$5 000 |
1 |
|
64 |
BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
$5 000 |
2 |
|
65 |
FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
$5 000 |
1 |
|
66 |
FLOODS OF FEAR - Froid dans le dos (Crichton/Keel) GB |
$5 000 |
1 |
|
67 |
MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
$5 000 |
1 |
|
68 |
THE OREGON TRAIL - Les comanches passent à l'attaque (Fowler Jr/MacMurray) |
$5 000 |
1 |
|
69 |
TIGER BAY - Les yeux du témoin (Thompson/Mills/Buchholz) GB |
$5 000 |
1 |
|
70 |
THE WORLD IN HIS ARMS - Le Monde lui appartient (Walsh/Peck/Blyth) |
$4 800 |
1 |
|
71 |
ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
$4 500 |
1 |
|
72 |
TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
$4 500 |
1 |
|
73 |
THAT NAUGHTY GIRL - Cette sacrée gamine (Boisrond/Bardot) France |
$4 500 |
1 |
|
74 |
THE ANGRY HILLS - Trahison à Athènes (Aldrich/Mitchum/Baker) |
$4 500 |
1 |
|
75 |
THE BEAT GENERATION - Les beatniks (Haas/Cochran/Van Doren) |
$4 500 |
1 |
|
76 |
THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
$4 500 |
1 |
|
77 |
MIXED UP WOMAN - (Kenton/Warrick) |
$4 300 |
1 |
|
78 |
MONIKA - (Bergman/Andersson) Suède |
$4 300 |
1 |
|
79 |
HE WHO MUST DIE - Celui qui doit mourir (Dassin/Servais) Fr / It |
$4 000 |
1 |
|
80 |
SOMEBODY UP THERE LIKES ME - Marqué par la haine (Wise/newman/Angeli) |
$4 000 |
1 |
|
81 |
THE LAST TIME I SAW PARIS - La dernière fois que j'ai vu Paris (Brooks/E.Taylor/Johnson) |
$4 000 |
1 |
|
82 |
AREN'T WE WONDERFUL - Les enfants prodiges (Hoffman) Allemagne |
$3 800 |
1 |
|
83 |
CARRY ON SERGEANT - Allez-y sergent - GB |
$3 800 |
1 |
|
84 |
LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
$3 600 |
2 |
|
85 |
POWER AMONG MEN - (Hammid/Harvey) Allemagne |
$3 500 |
1 |
|
86 |
THE SAD HORSE - (Clark/D.Ladd) |
$3 500 |
1 |
|
87 |
TIMBUKTU - Tombouctou (Tourneur/Mature/DeCarlo) |
$3 500 |
1 |
|
88 |
YELLOWSTONE KELLY - Le géant du Grand Nord (Douglas/Walker/Byrnes) |
$3 400 |
1 |
|
89 |
MY UNCLE - Mon oncle (Tati/Tati) Fr |
$3 000 |
1 |
|
90 |
TILLIE'S PUNCTURED ROMANCE - La folle aventure de Charlot et Lolotte (Chaplin) |
$3 000 |
1 |
|
91 |
TOSCA - La Tosca (Koch/Renoir/Argentina/Simon) Italie |
$3 000 |
1 |
|
92 |
GRAND ILLUSION - La grande illusion (Renoir/gabin/Fresnay) France |
$2 800 |
1 |
|
93 |
THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
$2 800 |
1 |
THE HOUSE OF THE SEVEN HAWKS (LA MAISON DES SEPT FAUCONS) 537 000 entrées en FRANCE
De Richard THORPE avec Robert TAYLOR et Nicole MAUREY
John Nordley, un marin américain établi en Angleterre, organise le transport maritime de personnes désireuses de quitter discrètement le pays. Il conduit ainsi aux Pays-Bas, contre une forte somme d'argent, un dénommé Anselm. Mais à son arrivée, celui-ci décède mystérieusement. Avant d'alerter la police, Nordley inspecte les affaires du défunt et s'empare d'un plan. Peu après, une jeune femme, prétendant être la fille d'Anselm, fouille de fond en comble la cabine et fuit lorsque Nordley la surprend. Convoqué par l'inspecteur Van der Stoor, Nordley est suspecté d'avoir empoisonné son client, qui était un policier néerlandais en service commandé...
A WOMAN LIKE SATAN - LA FEMME ET LE PANTIN
|
FILM |
VILLE |
RECETTE |
ECRANS |
|
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
|
|
|
|
BALTIMORE |
7 000 |
1 |
|
|
BOSTON |
20 000 |
1 |
|
|
BROADWAY |
32 000 |
2 |
|
|
BUFFALO |
7 500 |
1 |
|
|
CHICAGO |
26 000 |
1 |
|
|
CINCINNATI |
13 000 |
1 |
|
|
DENVER |
13 000 |
1 |
|
|
KANSAS CITY |
13 000 |
1 |
|
|
LOS ANGELES |
10 800 |
1 |
|
|
LOUISVILLE |
9 000 |
1 |
|
|
MINNEAPOLIS |
10 000 |
1 |
|
|
PITTSBURGH |
15 000 |
1 |
|
|
PORTLAND |
6 000 |
1 |
|
|
PROVIDENCE |
10 000 |
1 |
|
|
SAINT LOUIS |
15 000 |
1 |
|
|
SAN FRANCISCO |
14 000 |
1 |
|
|
SEATTLE |
7 500 |
1 |
|
|
TORONTO |
12 000 |
1 |
|
|
WASHINGTON |
9 500 |
1 |
|
Total PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
250 300 |
20 |
|
|
|
|
|
|
THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
|
|
|
|
|
BALTIMORE |
6 000 |
1 |
|
|
BOSTON |
14 000 |
1 |
|
|
BROADWAY |
25 000 |
1 |
|
|
CLEVELAND |
12 000 |
1 |
|
|
DENVER |
15 000 |
1 |
|
|
DETROIT |
10 000 |
1 |
|
|
KANSAS CITY |
7 500 |
1 |
|
|
LOS ANGELES |
5 700 |
1 |
|
|
LOUISVILLE |
10 000 |
1 |
|
|
MINNEAPOLIS |
5 500 |
1 |
|
|
PHILADELPHIA |
10 000 |
1 |
|
|
PITTSBURGH |
9 000 |
1 |
|
|
PORTLAND |
8 600 |
1 |
|
|
SAINT LOUIS |
10 000 |
1 |
|
|
WASHINGTON |
8 500 |
1 |
|
Total THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
156 800 |
15 |
|
|
|
|
|
|
|
CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
|
|
|
|
|
BOSTON |
8 500 |
1 |
|
|
BROADWAY |
15 000 |
1 |
|
|
BUFFALO |
15 000 |
1 |
|
|
CHICAGO |
30 000 |
1 |
|
|
CLEVELAND |
9 000 |
1 |
|
|
DETROIT |
17 500 |
1 |
|
|
LOS ANGELES |
23 000 |
3 |
|
|
PHILADELPHIA |
11 000 |
1 |
|
|
SAINT LOUIS |
12 000 |
1 |
|
|
WASHINGTON |
8 000 |
1 |
|
Total CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
|
149 000 |
12 |
|
|
|
|
|
|
PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
|
|
|
|
|
BALTIMORE |
9 000 |
1 |
|
|
BOSTON |
9 000 |
1 |
|
|
BROADWAY |
18 000 |
1 |
|
|
CHICAGO |
15 000 |
1 |
|
|
CINCINNATI |
8 000 |
1 |
|
|
CLEVELAND |
18 000 |
1 |
|
|
DETROIT |
13 000 |
1 |
|
|
LOS ANGELES |
13 400 |
1 |
|
|
PHILADELPHIA |
12 000 |
1 |
|
|
SAN FRANCISCO |
9 000 |
1 |
|
|
TORONTO |
9 000 |
1 |
|
|
WASHINGTON |
11 000 |
1 |
|
Total PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
|
144 400 |
12 |
|
|
|
|
|
|
THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
|
|
|
|
|
BALTIMORE |
5 000 |
1 |
|
|
BROADWAY |
18 500 |
2 |
|
|
BUFFALO |
9 000 |
1 |
|
|
CHICAGO |
20 000 |
1 |
|
|
CLEVELAND |
12 000 |
1 |
|
|
DETROIT |
11 000 |
1 |
|
|
KANSAS CITY |
8 000 |
1 |
|
|
LOS ANGELES |
7 300 |
1 |
|
|
MINNEAPOLIS |
5 000 |
1 |
|
|
TORONTO |
18 500 |
1 |
|
|
WASHINGTON |
17 000 |
1 |
|
Total THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
131 300 |
12 |
|
|
|
|
|
|
|
THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
|
|
|
|
|
BALTIMORE |
4 000 |
1 |
|
|
BOSTON |
8 000 |
1 |
|
|
BROADWAY |
10 000 |
1 |
|
|
BUFFALO |
9 500 |
1 |
|
|
CLEVELAND |
10 000 |
1 |
|
|
DENVER |
8 000 |
1 |
|
|
DETROIT |
9 800 |
1 |
|
|
KANSAS CITY |
6 000 |
1 |
|
|
LOS ANGELES |
5 200 |
1 |
|
|
LOUISVILLE |
5 500 |
1 |
|
|
MINNEAPOLIS |
4 500 |
1 |
|
|
PHILADELPHIA |
9 000 |
1 |
|
|
PITTSBURGH |
8 500 |
1 |
|
|
SAINT LOUIS |
5 000 |
1 |
|
|
SEATTLE |
8 400 |
1 |
|
|
WASHINGTON |
9 500 |
1 |
|
Total THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
|
120 900 |
16 |
|
|
|
|
|
|
A SUMMER PLACE - Ils n'ont que 20 ans…(Daves/Egan/McGuire/Dee) |
|
|
|
|
|
BROADWAY |
115 000 |
1 |
|
Total A SUMMER PLACE - Ils n'ont que 20 ans…(Daves/Egan/McGuire/Dee) |
|
115 000 |
1 |
|
|
|
|
|
|
THE LAST ANGRY MAN - La colère du juste (Mann/Muni/Wayne) |
|
|
|
|
|
BOSTON |
14 000 |
1 |
|
|
BROADWAY |
37 500 |
2 |
|
|
PHILADELPHIA |
12 000 |
1 |
|
|
TORONTO |
12 000 |
1 |
|
|
WASHINGTON |
8 800 |
1 |
|
Total THE LAST ANGRY MAN - La colère du juste (Mann/Muni/Wayne) |
|
84 300 |
6 |
|
|
|
|
|
|
ODDS AGAINST TOMORROW - Le coup de l'escalier (Wise/Belafonte/Ryan) |
|
|
|
|
|
BALTIMORE |
3 200 |
1 |
|
|
BROADWAY |
7 000 |
1 |
|
|
CHICAGO |
10 000 |
1 |
|
|
DETROIT |
15 000 |
1 |
|
|
KANSAS CITY |
5 000 |
1 |
|
|
MINNEAPOLIS |
8 000 |
1 |
|
|
PHILADELPHIA |
11 000 |
1 |
|
|
PITTSBURGH |
8 700 |
1 |
|
|
PORTLAND |
4 000 |
1 |
|
|
SAN FRANCISCO |
6 500 |
1 |
|
Total ODDS AGAINST TOMORROW - Le coup de l'escalier (Wise/Belafonte/Ryan) |
78 400 |
10 |
|
|
|
|
|
|
|
SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
|
|
|
|
|
BOSTON |
15 000 |
1 |
|
|
CINCINNATI |
13 000 |
1 |
|
|
DENVER |
16 000 |
1 |
|
|
LOS ANGELES |
12 000 |
1 |
|
|
WASHINGTON |
8 000 |
1 |
|
Total SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
|
64 000 |
5 |
|
|
|
|
|
|
HOUND-DOG MAN - Le vagabond des bois maudits (Siegel/Fabian/Whitman) |
|
|
|
|
|
BALTIMORE |
5 000 |
1 |
|
|
BOSTON |
7 000 |
1 |
|
|
KANSAS CITY |
6 500 |
1 |
|
|
LOUISVILLE |
3 500 |
1 |
|
|
MINNEAPOLIS |
6 000 |
1 |
|
|
PORTLAND |
6 000 |
1 |
|
|
SAINT LOUIS |
12 000 |
1 |
|
|
SAN FRANCISCO |
10 000 |
1 |
|
|
SEATTLE |
7 100 |
1 |
|
Total HOUND-DOG MAN - Le vagabond des bois maudits (Siegel/Fabian/Whitman) |
63 100 |
9 |
|
|
|
|
|
|
|
*30* - (Webb/Webb/Conrad) |
|
|
|
|
|
CHICAGO |
9 500 |
1 |
|
|
DENVER |
10 000 |
1 |
|
|
KANSAS CITY |
5 000 |
1 |
|
|
PHILADELPHIA |
6 000 |
1 |
|
|
PITTSBURGH |
6 000 |
1 |
|
|
PROVIDENCE |
7 000 |
1 |
|
|
SAN FRANCISCO |
11 000 |
1 |
|
Total *30* - (Webb/Webb/Conrad) |
|
54 500 |
7 |
|
|
|
|
|
|
SOUTH SEAS ADVENTURES - cinerama - collectif |
|
|
|
|
|
DETROIT |
12 500 |
1 |
|
|
LOS ANGELES |
12 000 |
1 |
|
|
MINNEAPOLIS |
11 000 |
1 |
|
|
SAN FRANCISCO |
16 000 |
1 |
|
Total SOUTH SEAS ADVENTURES - cinerama - collectif |
|
51 500 |
4 |
|
|
|
|
|
|
THE WRECK OF THE MARY DEARE - Cargaison dangereuse (Anderson/Cooper/Heston) |
|
|
|
|
|
BROADWAY |
45 000 |
1 |
|
Total THE WRECK OF THE MARY DEARE - Cargaison dangereuse (Anderson/Cooper/Heston) |
45 000 |
1 |
|
|
|
|
|
|
|
BATTLE OF THE CORAL SEA - La bataille de la mer de corail (Wendkos/Robertson/Scala) |
|
|
|
|
|
CHICAGO |
6 200 |
1 |
|
|
LOS ANGELES |
34 000 |
8 |
|
Total BATTLE OF THE CORAL SEA - La bataille de la mer de corail (Wendkos/Robertson/Scala) |
40 200 |
9 |
|
|
|
|
|
|
|
THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
|
|
|
|
|
BROADWAY |
18 500 |
1 |
|
|
DETROIT |
14 000 |
1 |
|
|
WASHINGTON |
5 000 |
1 |
|
Total THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
|
37 500 |
3 |
|
|
|
|
|
|
THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
|
|
|
|
|
BOSTON |
9 000 |
1 |
|
|
LOS ANGELES |
4 500 |
1 |
|
|
LOUISVILLE |
3 500 |
1 |
|
|
PHILADELPHIA |
7 500 |
1 |
|
|
WASHINGTON |
9 500 |
2 |
|
Total THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
|
34 000 |
6 |
|
|
|
|
|
|
THE MOUSE THAT ROARED - La souris qui rugissait (Arnold/Sellers/Seberg) |
|
|
|
|
|
BROADWAY |
15 600 |
1 |
|
|
TORONTO |
7 000 |
1 |
|
|
WASHINGTON |
9 200 |
1 |
|
Total THE MOUSE THAT ROARED - La souris qui rugissait (Arnold/Sellers/Seberg) |
31 800 |
3 |
|
|
|
|
|
|
|
IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
|
|
|
|
|
DETROIT |
7 000 |
1 |
|
|
LOS ANGELES |
3 800 |
1 |
|
|
TORONTO |
16 000 |
1 |
|
Total IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
26 800 |
3 |
|
|
|
|
|
|
|
SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
|
|
|
|
|
SEATTLE |
8 000 |
1 |
|
|
TORONTO |
16 500 |
6 |
|
Total SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
24 500 |
7 |
|
|
|
|
|
|
|
THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
|
|
|
|
|
CHICAGO |
6 200 |
1 |
|
|
LOS ANGELES |
17 000 |
4 |
|
Total THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
|
23 200 |
5 |
|
|
|
|
|
|
THE TRUTH ABOUT WOMEN - La vérité sur les femmes (Box/harvey/Harris) |
|
|
|
|
|
LOS ANGELES |
23 000 |
3 |
|
Total THE TRUTH ABOUT WOMEN - La vérité sur les femmes (Box/harvey/Harris) |
23 000 |
3 |
|
|
|
|
|
|
|
SON OF ROBIN HOOD - Robin des Bois Don juan (Sherman/Hedison) |
|
|
|
|
|
SAN FRANCISCO |
15 000 |
1 |
|
|
SEATTLE |
7 000 |
1 |
|
Total SON OF ROBIN HOOD - Robin des Bois Don juan (Sherman/Hedison) |
|
22 000 |
2 |
|
|
|
|
|
|
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
|
|
|
|
BOSTON |
3 000 |
1 |
|
|
BROADWAY |
18 300 |
1 |
|
Total SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
21 300 |
2 |
|
|
|
|
|
|
WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
|
|
|
|
|
CINCINNATI |
20 000 |
1 |
|
Total WINDJAMMER : THE VOYAGE OF CHRISTIAN RADICH - Cinerama |
|
20 000 |
1 |
|
|
|
|
|
|
LIBEL - La nuit est mon ennemie (Asquith/Bogarde/De Havilland) |
|
|
|
|
|
DENVER |
5 500 |
1 |
|
|
LOUISVILLE |
10 000 |
1 |
|
|
SAINT LOUIS |
4 000 |
1 |
|
Total LIBEL - La nuit est mon ennemie (Asquith/Bogarde/De Havilland) |
|
19 500 |
3 |
|
|
|
|
|
|
WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
|
|
|
|
|
BALTIMORE |
2 000 |
1 |
|
|
BROADWAY |
6 300 |
1 |
|
|
CHICAGO |
4 000 |
1 |
|
|
CLEVELAND |
2 600 |
1 |
|
|
KANSAS CITY |
2 000 |
1 |
|
|
PHILADELPHIA |
2 600 |
1 |
|
Total WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
|
19 500 |
6 |
|
|
|
|
|
|
NEW ORLEANS AFTER DARK - (Sledge/Harris) |
|
|
|
|
|
DETROIT |
11 000 |
1 |
|
|
SAN FRANCISCO |
7 000 |
1 |
|
Total NEW ORLEANS AFTER DARK - (Sledge/Harris) |
|
18 000 |
2 |
|
|
|
|
|
|
THE LOVE SPECIALIST - La blonde enjoleuse (Zampa/Dors/Gassman) Italie |
|
|
|
|
|
DETROIT |
17 500 |
1 |
|
Total THE LOVE SPECIALIST - La blonde enjoleuse (Zampa/Dors/Gassman) Italie |
17 500 |
1 |
|
|
|
|
|
|
|
BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
|
|
|
|
|
CHICAGO |
8 000 |
1 |
|
|
CINCINNATI |
8 500 |
1 |
|
Total BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
|
16 500 |
2 |
|
|
|
|
|
|
COUNTRY MUSIC HOLIDAY |
|
|
|
|
|
TORONTO |
16 500 |
6 |
|
Total COUNTRY MUSIC HOLIDAY |
|
16 500 |
6 |
|
|
|
|
|
|
YESTERDAY'S ENEMY - Section d'assaut sur le Sittang (Guest/Baker) GB |
|
|
|
|
|
CHICAGO |
5 000 |
1 |
|
|
CLEVELAND |
11 000 |
1 |
|
Total YESTERDAY'S ENEMY - Section d'assaut sur le Sittang (Guest/Baker) GB |
|
16 000 |
2 |
|
|
|
|
|
|
ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
|
|
|
|
|
LOS ANGELES |
4 500 |
1 |
|
|
SAN FRANCISCO |
11 000 |
1 |
|
Total ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
|
15 500 |
2 |
|
|
|
|
|
|
COUNTERPLOT - (Neumann/Tucker/Hayes) |
|
|
|
|
|
DETROIT |
15 000 |
1 |
|
Total COUNTERPLOT - (Neumann/Tucker/Hayes) |
|
15 000 |
1 |
|
|
|
|
|
|
THE JAYHAWKERS - Violence au Kansas (Frank/Chandler) |
|
|
|
|
|
BUFFALO |
15 000 |
1 |
|
Total THE JAYHAWKERS - Violence au Kansas (Frank/Chandler) |
|
15 000 |
1 |
|
|
|
|
|
|
ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
|
|
|
|
|
BROADWAY |
6 200 |
1 |
|
|
LOS ANGELES |
4 700 |
1 |
|
|
TORONTO |
3 500 |
1 |
|
Total ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
14 400 |
3 |
|
|
|
|
|
|
|
GIRLS TOWN - (Haas/Van Doren) |
|
|
|
|
|
CLEVELAND |
4 500 |
1 |
|
|
DETROIT |
9 000 |
1 |
|
Total GIRLS TOWN - (Haas/Van Doren) |
|
13 500 |
2 |
|
|
|
|
|
|
THE 30 FOOT BRIDE OF CANDY ROCK - (Miller/Costello/Provine) |
|
|
|
|
|
SAN FRANCISCO |
13 000 |
1 |
|
Total THE 30 FOOT BRIDE OF CANDY ROCK - (Miller/Costello/Provine) |
|
13 000 |
1 |
|
|
|
|
|
|
THE WARRIOR AND THE SLAVE GIRL - La révolte des gladiateurs (Cottafavi/Canale) It / Fr / Esp |
|
|
|
|
|
SAN FRANCISCO |
13 000 |
1 |
|
Total THE WARRIOR AND THE SLAVE GIRL - La révolte des gladiateurs (Cottafavi/Canale) It / Fr / Esp |
13 000 |
1 |
|
|
|
|
|
|
|
BLOOD AND STEEL - (Kowalski/Lupton) |
|
|
|
|
|
SAINT LOUIS |
12 000 |
1 |
|
Total BLOOD AND STEEL - (Kowalski/Lupton) |
|
12 000 |
1 |
|
|
|
|
|
|
NO WAY OUT - La porte s'ouvre (Mankiewicz/Widmark/Darnell) |
|
|
|
|
|
CHICAGO |
12 000 |
1 |
|
Total NO WAY OUT - La porte s'ouvre (Mankiewicz/Widmark/Darnell) |
|
12 000 |
1 |
|
|
|
|
|
|
INSIDE THE MAFIA - (Cahn/Mitchell) |
|
|
|
|
|
PORTLAND |
4 000 |
1 |
|
|
SAN FRANCISCO |
6 500 |
1 |
|
Total INSIDE THE MAFIA - (Cahn/Mitchell) |
|
10 500 |
2 |
|
|
|
|
|
|
CITY OF FEAR - (Bezencenet/Maxwell) GB / Allemagne |
|
|
|
|
|
TORONTO |
10 000 |
4 |
|
Total CITY OF FEAR - (Bezencenet/Maxwell) GB / Allemagne |
|
10 000 |
4 |
|
|
|
|
|
|
THE HORSE'S MOUTH - (Neame/Guinness) GB |
|
|
|
|
|
SAN FRANCISCO |
10 000 |
1 |
|
Total THE HORSE'S MOUTH - (Neame/Guinness) GB |
|
10 000 |
1 |
|
|
|
|
|
|
THE YOUNG LAND - (Tetzloff/P.Wayne) |
|
|
|
|
|
TORONTO |
10 000 |
4 |
|
Total THE YOUNG LAND - (Tetzloff/P.Wayne) |
|
10 000 |
4 |
|
|
|
|
|
|
SUBWAY IN THE SKY - Cri d'angoisse (Box/Johnson/Knef) GB |
|
|
|
|
|
CINCINNATI |
5 500 |
1 |
|
|
SAINT LOUIS |
4 000 |
1 |
|
Total SUBWAY IN THE SKY - Cri d'angoisse (Box/Johnson/Knef) GB |
|
9 500 |
2 |
|
|
|
|
|
|
PANIC IN THE STREETS - Panique dans la rue (Kazan/Widmark) |
|
|
|
|
|
BOSTON |
9 000 |
1 |
|
Total PANIC IN THE STREETS - Panique dans la rue (Kazan/Widmark) |
|
9 000 |
1 |
|
|
|
|
|
|
THE DEVIL'S DISCIPLE - Au fil de l'épée (Hamilton/Lancaster/Douglas/Olivier) |
|
|
|
|
|
TORONTO |
9 000 |
1 |
|
Total THE DEVIL'S DISCIPLE - Au fil de l'épée (Hamilton/Lancaster/Douglas/Olivier) |
9 000 |
1 |
|
|
|
|
|
|
|
ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
|
|
|
|
|
LOS ANGELES |
3 400 |
1 |
|
|
TORONTO |
5 500 |
1 |
|
Total ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
|
8 900 |
2 |
|
|
|
|
|
|
GUNMEN FROM LAREDO - (MacDonald/Knapp) |
|
|
|
|
|
PORTLAND |
8 600 |
1 |
|
Total GUNMEN FROM LAREDO - (MacDonald/Knapp) |
|
8 600 |
1 |
|
|
|
|
|
|
TARZAN THE APE MAN - Tarzan l'homme singe (Newman/Miller) |
|
|
|
|
|
BUFFALO |
8 500 |
1 |
|
Total TARZAN THE APE MAN - Tarzan l'homme singe (Newman/Miller) |
|
8 500 |
1 |
|
|
|
|
|
|
THE HOUSE OF THE SEVEN HAWKS - La maison des sept faucons (Thorpe:R.Taylor/Maurey) |
|
|
|
|
|
BUFFALO |
8 500 |
1 |
|
Total THE HOUSE OF THE SEVEN HAWKS - La maison des sept faucons (Thorpe:R.Taylor/Maurey) |
8 500 |
1 |
|
|
|
|
|
|
|
THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
|
|
|
|
|
BUFFALO |
3 000 |
1 |
|
|
SEATTLE |
3 500 |
1 |
|
|
WASHINGTON |
2 000 |
1 |
|
Total THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
|
8 500 |
3 |
|
|
|
|
|
|
HELL'S CROSSROADS - Carrefour de la vengeance (Adreon/MacNally) |
|
|
|
|
|
SEATTLE |
8 000 |
1 |
|
Total HELL'S CROSSROADS - Carrefour de la vengeance (Adreon/MacNally) |
|
8 000 |
1 |
|
|
|
|
|
|
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
|
|
|
|
KANSAS CITY |
7 500 |
1 |
|
Total SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
7 500 |
1 |
|
|
|
|
|
|
BEND OF THE RIVER - Les affameurs (Mann/Stewart/Hudson) |
|
|
|
|
|
LOS ANGELES |
4 800 |
1 |
|
|
WASHINGTON |
2 500 |
1 |
|
Total BEND OF THE RIVER - Les affameurs (Mann/Stewart/Hudson) |
|
7 300 |
2 |
|
|
|
|
|
|
FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
|
|
|
|
|
SAN FRANCISCO |
7 000 |
1 |
|
Total FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
|
7 000 |
1 |
|
|
|
|
|
|
GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
|
|
|
|
|
BROADWAY |
6 600 |
1 |
|
Total GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
|
6 600 |
1 |
|
|
|
|
|
|
BLUE DENIM - Blue jeans (Dunne/Lynley/De Wilde) |
|
|
|
|
|
TORONTO |
6 000 |
1 |
|
Total BLUE DENIM - Blue jeans (Dunne/Lynley/De Wilde) |
|
6 000 |
1 |
|
|
|
|
|
|
THE MIRACLE OF THE HILLS - (Landres/Reason) |
|
|
|
|
|
PORTLAND |
6 000 |
1 |
|
Total THE MIRACLE OF THE HILLS - (Landres/Reason) |
|
6 000 |
1 |
|
|
|
|
|
|
THREE MURDERESSES - Faibles femmes (Delon/Demongeot/Petit) Fr / It |
|
|
|
|
|
CINCINNATI |
5 500 |
1 |
|
Total THREE MURDERESSES - Faibles femmes (Delon/Demongeot/Petit) Fr / It |
|
5 500 |
1 |
|
|
|
|
|
|
THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
|
|
|
|
|
BROADWAY |
5 200 |
1 |
|
Total THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
|
5 200 |
1 |
|
|
|
|
|
|
A WOMAN LIKE SATAN - La femme et le pantin (Duvivier/Bardot) Fr |
|
|
|
|
|
SEATTLE |
5 000 |
1 |
|
Total A WOMAN LIKE SATAN - La femme et le pantin (Duvivier/Bardot) Fr |
|
5 000 |
1 |
|
|
|
|
|
|
BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
|
|
|
|
|
BALTIMORE |
1 800 |
1 |
|
|
CHICAGO |
3 200 |
1 |
|
Total BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
|
5 000 |
2 |
|
|
|
|
|
|
FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
|
|
|
|
|
PROVIDENCE |
5 000 |
1 |
|
Total FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
|
5 000 |
1 |
|
|
|
|
|
|
FLOODS OF FEAR - Froid dans le dos (Crichton/Keel) GB |
|
|
|
|
|
KANSAS CITY |
5 000 |
1 |
|
Total FLOODS OF FEAR - Froid dans le dos (Crichton/Keel) GB |
|
5 000 |
1 |
|
|
|
|
|
|
MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
|
|
|
|
|
SEATTLE |
5 000 |
1 |
|
Total MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
|
5 000 |
1 |
|
|
|
|
|
|
THE OREGON TRAIL - Les comanches passent à l'attaque (Fowler Jr/MacMurray) |
|
|
|
|
|
PROVIDENCE |
5 000 |
1 |
|
Total THE OREGON TRAIL - Les comanches passent à l'attaque (Fowler Jr/MacMurray) |
5 000 |
1 |
|
|
|
|
|
|
|
TIGER BAY - Les yeux du témoin (Thompson/Mills/Buchholz) GB |
|
|
|
|
|
TORONTO |
5 000 |
1 |
|
Total TIGER BAY - Les yeux du témoin (Thompson/Mills/Buchholz) GB |
|
5 000 |
1 |
|
|
|
|
|
|
THE WORLD IN HIS ARMS - Le Monde lui appartient (Walsh/Peck/Blyth) |
|
|
|
|
|
LOS ANGELES |
4 800 |
1 |
|
Total THE WORLD IN HIS ARMS - Le Monde lui appartient (Walsh/Peck/Blyth) |
|
4 800 |
1 |
|
|
|
|
|
|
ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
|
|
|
|
|
BROADWAY |
4 500 |
1 |
|
Total ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
4 500 |
1 |
|
|
|
|
|
|
|
TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
|
|
|
|
|
LOS ANGELES |
4 500 |
1 |
|
Total TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
|
4 500 |
1 |
|
|
|
|
|
|
THAT NAUGHTY GIRL - Cette sacrée gamine (Boisrond/Bardot) France |
|
|
|
|
|
BROADWAY |
4 500 |
1 |
|
Total THAT NAUGHTY GIRL - Cette sacrée gamine (Boisrond/Bardot) France |
|
4 500 |
1 |
|
|
|
|
|
|
THE ANGRY HILLS - Trahison à Athènes (Aldrich/Mitchum/Baker) |
|
|
|
|
|
CLEVELAND |
4 500 |
1 |
|
Total THE ANGRY HILLS - Trahison à Athènes (Aldrich/Mitchum/Baker) |
|
4 500 |
1 |
|
|
|
|
|
|
THE BEAT GENERATION - Les beatniks (Haas/Cochran/Van Doren) |
|
|
|
|
|
PROVIDENCE |
4 500 |
1 |
|
Total THE BEAT GENERATION - Les beatniks (Haas/Cochran/Van Doren) |
|
4 500 |
1 |
|
|
|
|
|
|
THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
|
|
|
|
|
PROVIDENCE |
4 500 |
1 |
|
Total THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
|
4 500 |
1 |
|
|
|
|
|
|
MIXED UP WOMAN - (Kenton/Warrick) |
|
|
|
|
|
PHILADELPHIA |
4 300 |
1 |
|
Total MIXED UP WOMAN - (Kenton/Warrick) |
|
4 300 |
1 |
|
|
|
|
|
|
MONIKA - (Bergman/Andersson) Suède |
|
|
|
|
|
PHILADELPHIA |
4 300 |
1 |
|
Total MONIKA - (Bergman/Andersson) Suède |
|
4 300 |
1 |
|
|
|
|
|
|
HE WHO MUST DIE - Celui qui doit mourir (Dassin/Servais) Fr / It |
|
|
|
|
|
MINNEAPOLIS |
4 000 |
1 |
|
Total HE WHO MUST DIE - Celui qui doit mourir (Dassin/Servais) Fr / It |
|
4 000 |
1 |
|
|
|
|
|
|
SOMEBODY UP THERE LIKES ME - Marqué par la haine (Wise/newman/Angeli) |
|
|
|
|
|
CLEVELAND |
4 000 |
1 |
|
Total SOMEBODY UP THERE LIKES ME - Marqué par la haine (Wise/newman/Angeli) |
4 000 |
1 |
|
|
|
|
|
|
|
THE LAST TIME I SAW PARIS - La dernière fois que j'ai vu Paris (Brooks/E.Taylor/Johnson) |
|
|
|
|
|
CLEVELAND |
4 000 |
1 |
|
Total THE LAST TIME I SAW PARIS - La dernière fois que j'ai vu Paris (Brooks/E.Taylor/Johnson) |
4 000 |
1 |
|
|
|
|
|
|
|
AREN'T WE WONDERFUL - Les enfants prodiges (Hoffman) Allemagne |
|
|
|
|
|
BROADWAY |
3 800 |
1 |
|
Total AREN'T WE WONDERFUL - Les enfants prodiges (Hoffman) Allemagne |
|
3 800 |
1 |
|
|
|
|
|
|
CARRY ON SERGEANT - Allez-y sergent - GB |
|
|
|
|
|
BROADWAY |
3 800 |
1 |
|
Total CARRY ON SERGEANT - Allez-y sergent - GB |
|
3 800 |
1 |
|
|
|
|
|
|
LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
|
|
|
|
|
BUFFALO |
1 200 |
1 |
|
|
DENVER |
2 400 |
1 |
|
Total LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
|
3 600 |
2 |
|
|
|
|
|
|
POWER AMONG MEN - (Hammid/Harvey) Allemagne |
|
|
|
|
|
BOSTON |
3 500 |
1 |
|
Total POWER AMONG MEN - (Hammid/Harvey) Allemagne |
|
3 500 |
1 |
|
|
|
|
|
|
THE SAD HORSE - (Clark/D.Ladd) |
|
|
|
|
|
LOUISVILLE |
3 500 |
1 |
|
Total THE SAD HORSE - (Clark/D.Ladd) |
|
3 500 |
1 |
|
|
|
|
|
|
TIMBUKTU - Tombouctou (Tourneur/Mature/DeCarlo) |
|
|
|
|
|
MINNEAPOLIS |
3 500 |
1 |
|
Total TIMBUKTU - Tombouctou (Tourneur/Mature/DeCarlo) |
|
3 500 |
1 |
|
|
|
|
|
|
YELLOWSTONE KELLY - Le géant du Grand Nord (Douglas/Walker/Byrnes) |
|
|
|
|
|
LOS ANGELES |
3 400 |
1 |
|
Total YELLOWSTONE KELLY - Le géant du Grand Nord (Douglas/Walker/Byrnes) |
3 400 |
1 |
|
|
|
|
|
|
|
MY UNCLE - Mon oncle (Tati/Tati) Fr |
|
|
|
|
|
SAINT LOUIS |
3 000 |
1 |
|
Total MY UNCLE - Mon oncle (Tati/Tati) Fr |
|
3 000 |
1 |
|
|
|
|
|
|
TILLIE'S PUNCTURED ROMANCE - La folle aventure de Charlot et Lolotte (Chaplin) |
|
|
|
|
|
SAINT LOUIS |
3 000 |
1 |
|
Total TILLIE'S PUNCTURED ROMANCE - La folle aventure de Charlot et Lolotte (Chaplin) |
3 000 |
1 |
|
|
|
|
|
|
|
TOSCA - La Tosca (Koch/Renoir/Argentina/Simon) Italie |
|
|
|
|
|
SAINT LOUIS |
3 000 |
1 |
|
Total TOSCA - La Tosca (Koch/Renoir/Argentina/Simon) Italie |
|
3 000 |
1 |
|
|
|
|
|
|
GRAND ILLUSION - La grande illusion (Renoir/gabin/Fresnay) France |
|
|
|
|
|
SAINT LOUIS |
2 800 |
1 |
|
Total GRAND ILLUSION - La grande illusion (Renoir/gabin/Fresnay) France |
|
2 800 |
1 |
|
|
|
|
|
|
THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
|
|
|
|
|
BROADWAY |
2 800 |
1 |
|
Total THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
2 800 |
1 |
|
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