/image%2F0651966%2F20241205%2Fob_dc66b9_box-office-5.jpg)
PILLOW TALK (CONFIDENCES SUR L'OREILLER) 1 345 000 entrées en FRANCE
De Michael GORDON avec Doris DAY et Rock HUDSON
Brad Allan, chanteur-compositeur, et Jan Morrow, décoratrice d'intérieur, partagent une ligne téléphonique sans se connaître. Brad passe de longues heures au téléphone à régaler ses nombreuses petites amies de ses dernières compositions, au grand dam de Jan. Un soir, Jan rencontre un certain Rex Stetson, qui lui sauve galamment la mise alors qu'elle se trouve dans une situation fort inconfortable. En réalité, il s'agit de Brad qui a reconnu la voix de la jeune femme. Conquis par le charme de celle-ci, il décide de lui cacher sa véritable identité et se fait passer pour un riche fermier tout juste arrivé du Texas. Commence alors une série de quiproquos...
Pour sa troisième semaine de présence dans le top "The FBI Story" profite de son succès au Radio City Hall de New York pour confortablement dominer le box office hebdomadaire. Mais c'est bien "Pillow talk" qui est l'évènement de la semaine. Rock Hudson qui joue sa première comédie trouve en Doris Day, une des reines de la comédie musicale, une parfaite complice qui va lui révéler toutes les ficelles de la comédie. Si celle-ci n'est pas bouleversante malgré sa sophistication et ce clinquant à l'écran qui sert à en mettre plein la vue aux rednecks des coins des plus reculés des USA, c'est bel et bien le duo parfait qui propulse le film au rang de succès au point d'être devenu avec le temps est des plus grands classiques de la comédie américaine.
|
|
FILM |
RECETTE |
ECRANS |
|
1 |
THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
$406 400 |
15 |
|
2 |
BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
$173 700 |
13 |
|
3 |
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
$152 400 |
6 |
|
4 |
THE MAN WHO UNDERSTOOD WOMEN - L'homme qui comprend les femmes (Johnson/Caron/Fonda) |
$123 800 |
12 |
|
5 |
PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
$116 500 |
8 |
|
6 |
SOUTH SEAS ADVENTURES - cinerama - collectif |
$103 000 |
8 |
|
7 |
THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
$83 500 |
8 |
|
8 |
IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/Reynolds/Ford) |
$71 100 |
8 |
|
9 |
THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
$68 800 |
3 |
|
10 |
THE HOUND OF BASKERVILLE - Le chien des Baskerville (Fisher/Cushing/Morell/Lee) GB |
$68 500 |
4 |
|
11 |
THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
$64 000 |
4 |
|
12 |
CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
$61 000 |
2 |
|
13 |
THE WONDERFUL COUNTRY - L'aventurier du Rio Grande (Parrish/Mitchum/London) |
$59 400 |
8 |
|
14 |
NORTH BY NORTHWEST - La mort aux trousses (Hitchcock/Grant/Saint) |
$51 000 |
8 |
|
15 |
ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
$47 500 |
6 |
|
16 |
TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
$45 800 |
8 |
|
17 |
FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
$45 500 |
5 |
|
18 |
SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
$41 500 |
4 |
|
19 |
WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
$35 500 |
8 |
|
20 |
CAST A LONG SHADOW - Le révolté (Carr/Murphy) |
$32 500 |
2 |
|
21 |
THE BAT - Le masque (Wilbur/Price/Moorehead) |
$31 000 |
4 |
|
22 |
FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
$30 000 |
4 |
|
23 |
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
$30 000 |
3 |
|
24 |
LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
$28 000 |
5 |
|
25 |
THE TINGLER - Le désosseur de cadavres (Castle/Price) |
$28 000 |
2 |
|
26 |
THE OREGON TRAIL - Les comanches passent à l'attaque (Fowler Jr/MacMurray) |
$25 000 |
2 |
|
27 |
THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
$23 200 |
6 |
|
28 |
BORN TO BE LOVED - (Haas/Morris) |
$23 000 |
5 |
|
29 |
TIMBUKTU - Tombouctou (Tourneur/Mature/DeCarlo) |
$21 000 |
5 |
|
30 |
THE NUN'S STORY - Au risque de se perdre (Zinnemann/Hepburn/Finch) |
$20 000 |
2 |
|
31 |
THE DEVIL'S DISCIPLE - Au fil de l'épée (Hamilton/Lancaster/Douglas/Olivier) |
$16 600 |
2 |
|
32 |
THE DIARY OF ANNE FRANK - Le journal d'Anne Frank (Stevens/Perkins/Winters) |
$16 500 |
2 |
|
33 |
BLUE DENIM - Blue jeans (Dunne/Lynley/De Wilde) |
$16 000 |
1 |
|
34 |
FACE OF FIRE - (Band/Mitchell) |
$15 000 |
1 |
|
35 |
MAN OR GUN - Calibre 44 (Gannaway/Carey) |
$15 000 |
1 |
|
36 |
INSIDE THE MAFIA - (Cahn/Mitchell) |
$14 500 |
4 |
|
37 |
ROOM 43 - Passeport pour la honte (Rakoff/Constantine/Dors) GB |
$14 000 |
2 |
|
38 |
THE MAN WHO DIED TWICE - (Kane/Cameron) |
$14 000 |
1 |
|
39 |
GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
$13 100 |
2 |
|
40 |
ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
$12 200 |
2 |
|
41 |
T-BIRD GANG - (Harbinger/Brinkley) |
$12 000 |
1 |
|
42 |
THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
$12 000 |
2 |
|
43 |
THE RABBIT TRAP - La clé des champs (Leacock/Borgnine) |
$11 200 |
2 |
|
44 |
ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
$10 500 |
2 |
|
45 |
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
$10 500 |
2 |
|
46 |
THE MIRACLE OF THE HILLS - (Landres/Reason) |
$10 200 |
1 |
|
47 |
INVISIBLE INVADERS - (Cahn/Agar) |
$10 000 |
1 |
|
48 |
SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
$10 000 |
1 |
|
49 |
SOME LIKE IT HOT - Certains l'aiment chaud (Wilder/Monroe/Curtis/Lemmon) |
$9 500 |
1 |
|
50 |
THE BLUE ANGEL - L'ange bleu (Dmytryk/Britt/Jurgens) |
$9 200 |
2 |
|
51 |
THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
$9 200 |
1 |
|
52 |
THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
$8 500 |
1 |
|
53 |
CRY TOUGH - La fin d'un voyou (Stanley/Saxon) |
$8 400 |
1 |
|
54 |
BATTLE FLAME - Les feux de la bataille (Springsteen/Brady) |
$8 000 |
1 |
|
55 |
GO JOHNNY GO - (Landres/Freed) |
$8 000 |
2 |
|
56 |
SURRENDER HELL - (Barnwell/Andes/Cabot) |
$8 000 |
1 |
|
57 |
LADY CHATTERLEY'S LOVER - L'amant de lady Chatterley (Allegret/Darrieux/Genn) France |
$7 800 |
2 |
|
58 |
THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
$7 500 |
1 |
|
59 |
THAT KIND OF WOMAN - Une espèce de garce (Lumet/Loren/Hunter) |
$7 000 |
2 |
|
60 |
THE MASK - Les yeux de l'enfer (Roffman/Stevens) |
$7 000 |
1 |
|
61 |
TERROR IN A TEXAS TOWN - Terreur au Texas (Lewis/Hayden) |
$6 500 |
1 |
|
62 |
MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
$6 300 |
1 |
|
63 |
BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
$6 100 |
1 |
|
64 |
HAVE ROCKET WILL TRAVEL - (Rich/Three Stooges) |
$6 000 |
1 |
|
65 |
MIDDLE OF THE NIGHT - Au milieu de la nuit (Mann/Novak/Farrell) |
$6 000 |
1 |
|
66 |
THE BEAT GENERATION - Les beatniks (Haas/Cochran/Van Doren) |
$6 000 |
1 |
|
67 |
THE LEGEND OF TOM DOOLEY - Fais ta prière…Tom Dooley (Post/Landon) |
$6 000 |
1 |
|
68 |
DOCTOR AT SEA - Rendez-vous à Rio (Thomas/Bogarde/Bardot) GB |
$5 500 |
1 |
|
69 |
DOCTOR IN THE HOUSE - Toubib or not toubib (Thomas/Bogarde/More) GB |
$5 500 |
1 |
|
70 |
7 CITIES OF ANTARTICA - Documentaire |
$5 000 |
1 |
|
71 |
CARLTON-BROWNE ON THE F.O. - Sois toujours diplomate (Boulting/Terry-Thomas/Sellers) GB |
$5 000 |
1 |
|
72 |
DARBY O'GILL - Darby O'Gill et les farfadets (Stevenson/Connery) |
$5 000 |
1 |
|
73 |
THE 30 FOOT BRIDE OF CANDY ROCK - (Miller/Costello/Provine) |
$5 000 |
1 |
|
74 |
THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
$5 000 |
1 |
|
75 |
ELEPHANT GUN - Rencontre au Kenya (Annakin/Lee/Craig/MacGoohan) GB |
$4 800 |
1 |
|
76 |
SEA FURY - (Endfield/Baker/McLaglen) |
$4 800 |
1 |
|
77 |
GILDA - (Vidor/Hayworth/Ford) |
$4 500 |
1 |
|
78 |
HOUSE OF BAMBOO - La maison de bambou (Fuller/Ryan/Stack) |
$4 500 |
1 |
|
79 |
ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
$4 500 |
1 |
|
80 |
MODERN TIMES - Les temps modernes (Chaplin/Chaplin/Goddard) |
$4 500 |
1 |
|
81 |
THE EAGLE - L'Aigle noir (Brown/Valentino) |
$4 500 |
1 |
|
82 |
THE FIVE PENNIES - Millionnaire de 5 sous (Shavelson/Kaye) |
$4 500 |
1 |
|
83 |
THE MUGGER - (Berke/Smith) |
$4 500 |
1 |
|
84 |
THE EIGHTH DAY OF THE WEEK - (Ford/Zieman) Pologne |
$4 200 |
1 |
|
85 |
THE SNOW WAS BLACK - La neige était sale (Saslavsky/Gélin/Mansart) France |
$4 200 |
1 |
|
86 |
SINS OF CASANOVA - Les aventures et les amours de Casanova (Steno/Ferzetti) Italie / Fr |
$4 000 |
1 |
|
87 |
THE RESPECTFUL PROSTITUTE - La p… respectueuse (Brabant/Laage/Desny) France |
$4 000 |
1 |
|
88 |
AN EYE FOR AN EYE - (Moore/lansing/P.Wayne) |
$3 500 |
1 |
|
89 |
SUBWAY IN THE SKY - Cri d'angoisse (Box/Johnson/Knef) GB |
$3 500 |
1 |
|
90 |
THE HOUSE I LIVE IN - La maison où je vis (Kulidzhanov/Telegina) Russie |
$3 000 |
1 |
|
91 |
A HOLE IN THE HEAD - Un trou dans la tête (Capra/Sinatra/Robinson/Parker) |
$2 800 |
1 |
|
92 |
A NIGHT TO REMEMBER - Atlantique latitude 41° (Baker/More) GB |
$2 500 |
1 |
|
93 |
LONE TEXAN - (Landres/Parker) |
$2 500 |
1 |
|
94 |
LUCKY JIM - Sept jours de malheur (Boulting/Welsh) |
$2 500 |
1 |
|
95 |
THE YOUNG CAPTIVES - (Kershner/Mario/Patten) |
$2 500 |
1 |
|
96 |
TOO MANY CROOKS - (Zampi/Terry-Thomas/Cole) GB |
$2 200 |
1 |
|
97 |
TEN SECONDS TO HELL - Tout près de Satan (Aldrich/Palance/Chandler) |
$2 000 |
1 |
|
98 |
LOVE IS MY PROFESSION - En cas de malheur (Autant-Lara/Gabin/Bardot) France |
$800 |
1 |
|
FILM |
VILLE |
RECETTE |
ECRANS |
|
THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
|
|
|
|
|
BALTIMORE |
15 000 |
1 |
|
|
BOSTON |
21 000 |
1 |
|
|
BROADWAY |
149 000 |
1 |
|
|
BUFFALO |
15 200 |
1 |
|
|
CHICAGO |
43 000 |
1 |
|
|
CLEVELAND |
25 000 |
1 |
|
|
DENVER |
21 000 |
1 |
|
|
DETROIT |
19 500 |
1 |
|
|
LOS ANGELES |
14 000 |
1 |
|
|
MINNEAPOLIS |
17 500 |
1 |
|
|
OMAHA |
6 000 |
1 |
|
|
PHILADELPHIA |
25 000 |
1 |
|
|
PITTSBURGH |
18 500 |
1 |
|
|
PROVIDENCE |
9 000 |
1 |
|
|
SEATTLE |
7 700 |
1 |
|
Total THE FBI STORY - La police fédérale enquête (Le Roy/Stewart/Miles) |
|
406 400 |
15 |
|
|
|
|
|
|
BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
|
|
|
|
|
BOSTON |
15 000 |
1 |
|
|
BROADWAY |
25 000 |
1 |
|
|
BUFFALO |
10 200 |
1 |
|
|
CHICAGO |
23 000 |
1 |
|
|
DENVER |
7 000 |
1 |
|
|
DETROIT |
12 500 |
1 |
|
|
KANSAS CITY |
7 000 |
1 |
|
|
MINNEAPOLIS |
6 000 |
1 |
|
|
PHILADELPHIA |
18 000 |
1 |
|
|
PROVIDENCE |
5 000 |
1 |
|
|
SAINT LOUIS |
20 000 |
1 |
|
|
SAN FRANCISCO |
14 000 |
1 |
|
|
TORONTO |
11 000 |
1 |
|
Total BUT NOT FOR ME - La vie à belles dents (Lang/Gable/Baker) |
|
173 700 |
13 |
|
|
|
|
|
|
PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
|
|
|
|
BROADWAY |
62 200 |
2 |
|
|
BUFFALO |
16 200 |
1 |
|
|
CLEVELAND |
28 000 |
1 |
|
|
DETROIT |
29 000 |
1 |
|
|
TORONTO |
17 000 |
1 |
|
Total PILLOW TALK - Confidences sur l'oreiller (Gordon/Day/Hudson) |
|
152 400 |
6 |
|
|
|
|
|
|
THE MAN WHO UNDERSTOOD WOMEN - L'homme qui comprend les femmes (Johnson/Caron/Fonda) |
|
|
|
|
|
BALTIMORE |
4 000 |
1 |
|
|
BROADWAY |
40 000 |
1 |
|
|
CHICAGO |
18 000 |
1 |
|
|
DENVER |
6 000 |
1 |
|
|
DETROIT |
12 000 |
1 |
|
|
INDIANAPOLIS |
5 500 |
1 |
|
|
LOS ANGELES |
15 000 |
2 |
|
|
LOUISVILLE |
6 500 |
1 |
|
|
PITTSBURGH |
4 000 |
1 |
|
|
PORTLAND |
6 500 |
1 |
|
|
SEATTLE |
6 300 |
1 |
|
Total THE MAN WHO UNDERSTOOD WOMEN - L'homme qui comprend les femmes (Johnson/Caron/Fonda) |
123 800 |
12 |
|
|
|
|
|
|
|
PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
|
|
|
|
|
BOSTON |
13 000 |
1 |
|
|
BROADWAY |
18 500 |
1 |
|
|
CHICAGO |
16 500 |
1 |
|
|
CINCINNATI |
12 000 |
1 |
|
|
LOS ANGELES |
13 000 |
1 |
|
|
PHILADELPHIA |
18 000 |
1 |
|
|
SAN FRANCISCO |
11 500 |
1 |
|
|
TORONTO |
14 000 |
1 |
|
Total PORGY AND BESS - (Preminger/Poitier/Dandridge/Davis Jr) |
|
116 500 |
8 |
|
|
|
|
|
|
SOUTH SEAS ADVENTURES - cinerama - collectif |
|
|
|
|
|
BOSTON |
10 000 |
1 |
|
|
CHICAGO |
16 500 |
1 |
|
|
CINCINNATI |
21 500 |
1 |
|
|
DETROIT |
13 000 |
1 |
|
|
LOS ANGELES |
12 000 |
1 |
|
|
MINNEAPOLIS |
13 000 |
1 |
|
|
PHILADELPHIA |
5 000 |
1 |
|
|
SAN FRANCISCO |
12 000 |
1 |
|
Total SOUTH SEAS ADVENTURES - cinerama - collectif |
|
103 000 |
8 |
|
|
|
|
|
|
THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
|
|
|
|
|
BALTIMORE |
10 000 |
1 |
|
|
BOSTON |
12 000 |
1 |
|
|
BROADWAY |
10 500 |
1 |
|
|
LOS ANGELES |
6 000 |
1 |
|
|
MINNEAPOLIS |
8 000 |
1 |
|
|
PHILADELPHIA |
11 000 |
1 |
|
|
PITTSBURGH |
11 000 |
1 |
|
|
WASHINGTON |
15 000 |
1 |
|
Total THE BIG FISHERMAN - Simon le pêcheur (Borzage/Keel/Saxon) |
|
83 500 |
8 |
|
|
|
|
|
|
IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
|
|
|
|
|
BOSTON |
18 000 |
1 |
|
|
KANSAS CITY |
9 000 |
1 |
|
|
LOS ANGELES |
4 900 |
1 |
|
|
PORTLAND |
6 000 |
1 |
|
|
PROVIDENCE |
13 000 |
1 |
|
|
SAN FRANCISCO |
11 000 |
1 |
|
|
SEATTLE |
4 700 |
1 |
|
|
WASHINGTON |
4 500 |
1 |
|
Total IT STARTED WITH A KISS - Tout commenca par un baiser (Marshall/reynolds/Ford) |
|
71 100 |
8 |
|
|
|
|
|
|
THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
|
|
|
|
|
BROADWAY |
51 800 |
2 |
|
|
LOS ANGELES |
17 000 |
1 |
|
Total THE BEST OF EVERYTHING - Rien n'est trop beau (Negulesco/Lange:Boyd) |
|
68 800 |
3 |
|
|
|
|
|
|
THE HOUND OF BASKERVILLE - Le chien des Baskerville (Fisher/Cushing/Morell/Lee) GB |
|
|
|
|
|
CINCINNATI |
29 000 |
1 |
|
|
DETROIT |
19 500 |
1 |
|
|
PROVIDENCE |
12 000 |
1 |
|
|
SAINT LOUIS |
8 000 |
1 |
|
Total THE HOUND OF BASKERVILLE - Le chien des Baskerville (Fisher/Cushing/Morell/Lee) GB |
68 500 |
4 |
|
|
|
|
|
|
|
THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
|
|
|
|
|
CHICAGO |
21 000 |
1 |
|
|
LOS ANGELES |
16 000 |
1 |
|
|
SAN FRANCISCO |
13 000 |
1 |
|
|
TORONTO |
14 000 |
1 |
|
Total THEY CAME TO CORDURA - Ceux de Cordura (Rossen/Cooper/Hayworth/Heflin) |
|
64 000 |
4 |
|
|
|
|
|
|
CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
|
|
|
|
|
BOSTON |
18 000 |
1 |
|
|
BROADWAY |
43 000 |
1 |
|
Total CAREER - En lettres de feu (Anthony/Martin/MacLaine) |
|
61 000 |
2 |
|
|
|
|
|
|
THE WONDERFUL COUNTRY - L'aventurier du Rio Grande (Parrish/Mitchum/London) |
|
|
|
|
|
CINCINNATI |
6 000 |
1 |
|
|
CLEVELAND |
6 000 |
1 |
|
|
LOS ANGELES |
17 000 |
3 |
|
|
SAN FRANCISCO |
10 000 |
1 |
|
|
SEATTLE |
8 400 |
1 |
|
|
WASHINGTON |
12 000 |
1 |
|
Total THE WONDERFUL COUNTRY - L'aventurier du Rio Grande (Parrish/Mitchum/London) |
59 400 |
8 |
|
|
|
|
|
|
|
NORTH BY NORTHWEST - La mort aux trousses (Hitchcock/Grant/Saint) |
|
|
|
|
|
BALTIMORE |
4 500 |
1 |
|
|
DETROIT |
6 500 |
1 |
|
|
LOS ANGELES |
3 200 |
1 |
|
|
MINNEAPOLIS |
4 000 |
1 |
|
|
OMAHA |
5 300 |
1 |
|
|
SEATTLE |
4 500 |
1 |
|
|
TORONTO |
13 000 |
1 |
|
|
WASHINGTON |
10 000 |
1 |
|
Total NORTH BY NORTHWEST - La mort aux trousses (Hitchcock/Grant/Saint) |
|
51 000 |
8 |
|
|
|
|
|
|
ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
|
|
|
|
|
BROADWAY |
20 000 |
2 |
|
|
CHICAGO |
10 000 |
1 |
|
|
MINNEAPOLIS |
3 000 |
1 |
|
|
TORONTO |
9 000 |
1 |
|
|
WASHINGTON |
5 500 |
1 |
|
Total ANATOMY OF A MURDER - Autopsie d'un meurtre (Preminger/Stewart) |
|
47 500 |
6 |
|
|
|
|
|
|
TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
|
|
|
|
|
CHICAGO |
20 000 |
1 |
|
|
CLEVELAND |
11 000 |
1 |
|
|
KANSAS CITY |
8 000 |
4 |
|
|
LOUISVILLE |
3 500 |
1 |
|
|
SEATTLE |
3 300 |
1 |
|
Total TAMANGO - (Berry/Jurgens/Dandridge) Fr / It |
|
45 800 |
8 |
|
|
|
|
|
|
FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
|
|
|
|
|
CHICAGO |
11 000 |
1 |
|
|
LOUISVILLE |
5 000 |
1 |
|
|
PHILADELPHIA |
8 500 |
1 |
|
|
PITTSBURGH |
13 000 |
1 |
|
|
SAINT LOUIS |
8 000 |
1 |
|
Total FOR THE FIRST TIME - (Maté/Lanza/Koczian) It / All / USA |
|
45 500 |
5 |
|
|
|
|
|
|
SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
|
|
|
|
|
CHICAGO |
10 000 |
1 |
|
|
DETROIT |
15 000 |
1 |
|
|
KANSAS CITY |
6 500 |
1 |
|
|
LOUISVILLE |
10 000 |
1 |
|
Total SIGN OF THE GLADIATOR - Sous le signe de Rome (Brignone/Marchal/Ekberg) It / Fr |
41 500 |
4 |
|
|
|
|
|
|
|
WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
|
|
|
|
|
BOSTON |
1 800 |
1 |
|
|
BROADWAY |
7 500 |
1 |
|
|
CHICAGO |
7 000 |
1 |
|
|
MINNEAPOLIS |
5 000 |
1 |
|
|
PHILADELPHIA |
6 000 |
1 |
|
|
SAINT LOUIS |
2 000 |
1 |
|
|
SAN FRANCISCO |
2 200 |
1 |
|
|
WASHINGTON |
4 000 |
1 |
|
Total WILD STRAWBERRIES - Les fraises sauvages (Bergman/Sjostrom) |
|
35 500 |
8 |
|
|
|
|
|
|
CAST A LONG SHADOW - Le révolté (Carr/Murphy) |
|
|
|
|
|
DETROIT |
29 000 |
1 |
|
|
LOUISVILLE |
3 500 |
1 |
|
Total CAST A LONG SHADOW - Le révolté (Carr/Murphy) |
|
32 500 |
2 |
|
|
|
|
|
|
THE BAT - Le masque (Wilbur/Price/Moorehead) |
|
|
|
|
|
BALTIMORE |
2 500 |
1 |
|
|
BOSTON |
15 000 |
1 |
|
|
PORTLAND |
7 000 |
1 |
|
|
PROVIDENCE |
6 500 |
1 |
|
Total THE BAT - Le masque (Wilbur/Price/Moorehead) |
|
31 000 |
4 |
|
|
|
|
|
|
FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
|
|
|
|
|
DENVER |
9 000 |
1 |
|
|
OMAHA |
5 000 |
1 |
|
|
PITTSBURGH |
6 000 |
1 |
|
|
SAN FRANCISCO |
10 000 |
1 |
|
Total FIVE GATES TO HELL - (Clavell/Michaels/Owens) |
|
30 000 |
4 |
|
|
|
|
|
|
SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
|
|
|
|
BOSTON |
20 000 |
2 |
|
|
CHICAGO |
10 000 |
1 |
|
Total SAPPHIRE - Opération Scotland Yard (Dearden/Patrick) GB |
|
30 000 |
3 |
|
|
|
|
|
|
LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
|
|
|
|
|
BROADWAY |
9 600 |
2 |
|
|
CINCINNATI |
8 000 |
1 |
|
|
LOS ANGELES |
1 800 |
1 |
|
|
PHILADELPHIA |
8 600 |
1 |
|
Total LOOK BACK IN ANGER - Les corps sauvages (Richardson/Burton/Bloom) |
|
28 000 |
5 |
|
|
|
|
|
|
THE TINGLER - Le désosseur de cadavres (Castle/Price) |
|
|
|
|
|
PHILADELPHIA |
13 000 |
1 |
|
|
WASHINGTON |
15 000 |
1 |
|
Total THE TINGLER - Le désosseur de cadavres (Castle/Price) |
|
28 000 |
2 |
|
|
|
|
|
|
THE OREGON TRAIL - Les comanches passent à l'attaque (Fowler Jr/MacMurray) |
|
|
|
|
|
BOSTON |
15 000 |
1 |
|
|
SAN FRANCISCO |
10 000 |
1 |
|
Total THE OREGON TRAIL - Les comanches passent à l'attaque (Fowler Jr/MacMurray) |
|
25 000 |
2 |
|
|
|
|
|
|
THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
|
|
|
|
|
BALTIMORE |
2 200 |
1 |
|
|
BROADWAY |
4 800 |
1 |
|
|
CHICAGO |
4 200 |
1 |
|
|
CLEVELAND |
5 000 |
1 |
|
|
DETROIT |
3 000 |
1 |
|
|
WASHINGTON |
4 000 |
1 |
|
Total THE SCAPEGOAT - Le bouc émissaire (Hamer/Guinness/Davis) GB |
|
23 200 |
6 |
|
|
|
|
|
|
BORN TO BE LOVED - (Haas/Morris) |
|
|
|
|
|
LOS ANGELES |
23 000 |
5 |
|
Total BORN TO BE LOVED - (Haas/Morris) |
|
23 000 |
5 |
|
|
|
|
|
|
TIMBUKTU - Tombouctou (Tourneur/Mature/DeCarlo) |
|
|
|
|
|
SAN FRANCISCO |
6 500 |
1 |
|
|
TORONTO |
14 500 |
4 |
|
Total TIMBUKTU - Tombouctou (Tourneur/Mature/DeCarlo) |
|
21 000 |
5 |
|
|
|
|
|
|
THE NUN'S STORY - Au risque de se perdre (Zinnemann/Hepburn/Finch) |
|
|
|
|
|
LOS ANGELES |
20 000 |
2 |
|
Total THE NUN'S STORY - Au risque de se perdre (Zinnemann/Hepburn/Finch) |
|
20 000 |
2 |
|
|
|
|
|
|
THE DEVIL'S DISCIPLE - Au fil de l'épée (Hamilton/Lancaster/Douglas/Olivier) |
|
|
|
|
|
BUFFALO |
10 000 |
1 |
|
|
SEATTLE |
6 600 |
1 |
|
Total THE DEVIL'S DISCIPLE - Au fil de l'épée (Hamilton/Lancaster/Douglas/Olivier) |
|
16 600 |
2 |
|
|
|
|
|
|
THE DIARY OF ANNE FRANK - Le journal d'Anne Frank (Stevens/Perkins/Winters) |
|
|
|
|
|
DETROIT |
6 500 |
1 |
|
|
SAINT LOUIS |
10 000 |
1 |
|
Total THE DIARY OF ANNE FRANK - Le journal d'Anne Frank (Stevens/Perkins/Winters) |
|
16 500 |
2 |
|
|
|
|
|
|
BLUE DENIM - Blue jeans (Dunne/Lynley/De Wilde) |
|
|
|
|
|
TORONTO |
16 000 |
1 |
|
Total BLUE DENIM - Blue jeans (Dunne/Lynley/De Wilde) |
|
16 000 |
1 |
|
|
|
|
|
|
FACE OF FIRE - (Band/Mitchell) |
|
|
|
|
|
BOSTON |
15 000 |
1 |
|
Total FACE OF FIRE - (Band/Mitchell) |
|
15 000 |
1 |
|
|
|
|
|
|
MAN OR GUN - Calibre 44 (Gannaway/Carey) |
|
|
|
|
|
DETROIT |
15 000 |
1 |
|
Total MAN OR GUN - Calibre 44 (Gannaway/Carey) |
|
15 000 |
1 |
|
|
|
|
|
|
INSIDE THE MAFIA - (Cahn/Mitchell) |
|
|
|
|
|
TORONTO |
14 500 |
4 |
|
Total INSIDE THE MAFIA - (Cahn/Mitchell) |
|
14 500 |
4 |
|
|
|
|
|
|
ROOM 43 - Passeport pour la honte (Rakoff/Constantine/Dors) GB |
|
|
|
|
|
WASHINGTON |
14 000 |
2 |
|
Total ROOM 43 - Passeport pour la honte (Rakoff/Constantine/Dors) GB |
|
14 000 |
2 |
|
|
|
|
|
|
THE MAN WHO DIED TWICE - (Kane/Cameron) |
|
|
|
|
|
SAN FRANCISCO |
14 000 |
1 |
|
Total THE MAN WHO DIED TWICE - (Kane/Cameron) |
|
14 000 |
1 |
|
|
|
|
|
|
GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
|
|
|
|
|
BROADWAY |
8 100 |
1 |
|
|
SAN FRANCISCO |
5 000 |
1 |
|
Total GIGI - (Minnelli/Caron/Chevalier/Jourdan) |
|
13 100 |
2 |
|
|
|
|
|
|
ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
|
|
|
|
|
KANSAS CITY |
8 000 |
1 |
|
|
WASHINGTON |
4 200 |
1 |
|
Total ORDERS TO KILL - Ordre de tuer (Asquith/Albert/Massie) GB |
|
12 200 |
2 |
|
|
|
|
|
|
T-BIRD GANG - (Harbinger/Brinkley) |
|
|
|
|
|
DETROIT |
12 000 |
1 |
|
Total T-BIRD GANG - (Harbinger/Brinkley) |
|
12 000 |
1 |
|
|
|
|
|
|
THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
|
|
|
|
|
INDIANAPOLIS |
6 000 |
1 |
|
|
PORTLAND |
6 000 |
1 |
|
Total THE BIG OPERATOR - Le témoin doit être assassiné (Haas/Rooney) |
|
12 000 |
2 |
|
|
|
|
|
|
THE RABBIT TRAP - La clé des champs (Leacock/Borgnine) |
|
|
|
|
|
BALTIMORE |
1 200 |
1 |
|
|
BUFFALO |
10 000 |
1 |
|
Total THE RABBIT TRAP - La clé des champs (Leacock/Borgnine) |
|
11 200 |
2 |
|
|
|
|
|
|
ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
|
|
|
|
|
BALTIMORE |
2 400 |
1 |
|
|
BROADWAY |
8 100 |
1 |
|
Total ROOM AT THE TOP - Les chemins de Hauteville (Clayton/Harvey/Signoret) |
|
10 500 |
2 |
|
|
|
|
|
|
SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
|
|
|
|
KANSAS CITY |
6 000 |
1 |
|
|
OMAHA |
4 500 |
1 |
|
Total SOUTH PACIFIC - Pacifique sud (Logan/Brazzi/Gaynor) |
|
10 500 |
2 |
|
|
|
|
|
|
THE MIRACLE OF THE HILLS - (Landres/Reason) |
|
|
|
|
|
BUFFALO |
10 200 |
1 |
|
Total THE MIRACLE OF THE HILLS - (Landres/Reason) |
|
10 200 |
1 |
|
|
|
|
|
|
INVISIBLE INVADERS - (Cahn/Agar) |
|
|
|
|
|
SAN FRANCISCO |
10 000 |
1 |
|
Total INVISIBLE INVADERS - (Cahn/Agar) |
|
10 000 |
1 |
|
|
|
|
|
|
SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
|
|
|
|
|
SAINT LOUIS |
10 000 |
1 |
|
Total SAMSON AND DELILAH - Samson et Dalila (DeMille/Lamarr/Mature) |
|
10 000 |
1 |
|
|
|
|
|
|
SOME LIKE IT HOT - Certains l'aiment chaud (Wilder/Monroe/Curtis/lemmon) |
|
|
|
|
|
BROADWAY |
9 500 |
1 |
|
Total SOME LIKE IT HOT - Certains l'aiment chaud (Wilder/Monroe/Curtis/lemmon) |
|
9 500 |
1 |
|
|
|
|
|
|
THE BLUE ANGEL - L'ange bleu (Dmytryk/Britt/Jurgens) |
|
|
|
|
|
BUFFALO |
2 200 |
1 |
|
|
PHILADELPHIA |
7 000 |
1 |
|
Total THE BLUE ANGEL - L'ange bleu (Dmytryk/Britt/Jurgens) |
|
9 200 |
2 |
|
|
|
|
|
|
THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
|
|
|
|
|
WASHINGTON |
9 200 |
1 |
|
Total THE LOVERS - Les amants (Malle/Moreau/Bory) Fr |
|
9 200 |
1 |
|
|
|
|
|
|
THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
|
|
|
|
|
BROADWAY |
8 500 |
1 |
|
Total THE ANATOMY OF LOVE - Quelques pas dans la vie (Blasetti/De Sica / Robin) It / fr |
|
8 500 |
1 |
|
|
|
|
|
|
CRY TOUGH - La fin d'un voyou (Stanley/Saxon) |
|
|
|
|
|
SEATTLE |
8 400 |
1 |
|
Total CRY TOUGH - La fin d'un voyou (Stanley/Saxon) |
|
8 400 |
1 |
|
|
|
|
|
|
BATTLE FLAME - Les feux de la bataille (Springsteen/Brady) |
|
|
|
|
|
BOSTON |
8 000 |
1 |
|
Total BATTLE FLAME - Les feux de la bataille (Springsteen/Brady) |
|
8 000 |
1 |
|
|
|
|
|
|
GO JOHNNY GO - (Landres/Freed) |
|
|
|
|
|
LOS ANGELES |
8 000 |
2 |
|
Total GO JOHNNY GO - (Landres/Freed) |
|
8 000 |
2 |
|
|
|
|
|
|
SURRENDER HELL - (Barnwell/Andes/Cabot) |
|
|
|
|
|
BOSTON |
8 000 |
1 |
|
Total SURRENDER HELL - (Barnwell/Andes/Cabot) |
|
8 000 |
1 |
|
|
|
|
|
|
LADY CHATTERLEY'S LOVER - L'amant de lady Chatterley (Allegret/Darrieux/Genn) France |
|
|
|
|
|
CLEVELAND |
2 800 |
1 |
|
|
MINNEAPOLIS |
5 000 |
1 |
|
Total LADY CHATTERLEY'S LOVER - L'amant de lady Chatterley (Allegret/Darrieux/Genn) France |
7 800 |
2 |
|
|
|
|
|
|
|
THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
|
|
|
|
|
BROADWAY |
7 500 |
1 |
|
Total THE MAGICIAN - Le visage (Bergman/Von Sydow/Thulin) Suède |
|
7 500 |
1 |
|
|
|
|
|
|
THAT KIND OF WOMAN - Une espèce de garce (Lumet/Loren/Hunter) |
|
|
|
|
|
LOS ANGELES |
2 500 |
1 |
|
|
PORTLAND |
4 500 |
1 |
|
Total THAT KIND OF WOMAN - Une espèce de garce (Lumet/Loren/Hunter) |
|
7 000 |
2 |
|
|
|
|
|
|
THE MASK - Les yeux de l'enfer (Roffman/Stevens) |
|
|
|
|
|
PORTLAND |
7 000 |
1 |
|
Total THE MASK - Les yeux de l'enfer (Roffman/Stevens) |
|
7 000 |
1 |
|
|
|
|
|
|
TERROR IN A TEXAS TOWN - Terreur au Texas (Lewis/Hayden) |
|
|
|
|
|
PORTLAND |
6 500 |
1 |
|
Total TERROR IN A TEXAS TOWN - Terreur au Texas (Lewis/Hayden) |
|
6 500 |
1 |
|
|
|
|
|
|
MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
|
|
|
|
|
SEATTLE |
6 300 |
1 |
|
Total MISSILES FROM HELL - La bataille des V1 (Sewell/Rennie) GB |
|
6 300 |
1 |
|
|
|
|
|
|
BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
|
|
|
|
|
BROADWAY |
6 100 |
1 |
|
Total BACK TO THE WALL - Le dos au mur (Molinaro/Moreau/Oury) France |
|
6 100 |
1 |
|
|
|
|
|
|
HAVE ROCKET WILL TRAVEL - (Rich/Three Stooges) |
|
|
|
|
|
KANSAS CITY |
6 000 |
1 |
|
Total HAVE ROCKET WILL TRAVEL - (Rich/Three Stooges) |
|
6 000 |
1 |
|
|
|
|
|
|
MIDDLE OF THE NIGHT - Au milieu de la nuit (Mann/Novak/Farrell) |
|
|
|
|
|
BOSTON |
6 000 |
1 |
|
Total MIDDLE OF THE NIGHT - Au milieu de la nuit (Mann/Novak/Farrell) |
|
6 000 |
1 |
|
|
|
|
|
|
THE BEAT GENERATION - Les beatniks (Haas/Cochran/Van Doren) |
|
|
|
|
|
INDIANAPOLIS |
6 000 |
1 |
|
Total THE BEAT GENERATION - Les beatniks (Haas/Cochran/Van Doren) |
|
6 000 |
1 |
|
|
|
|
|
|
THE LEGEND OF TOM DOOLEY - Fais ta prière…Tom Dooley (Post/Landon) |
|
|
|
|
|
KANSAS CITY |
6 000 |
1 |
|
Total THE LEGEND OF TOM DOOLEY - Fais ta prière…Tom Dooley (Post/Landon) |
|
6 000 |
1 |
|
|
|
|
|
|
DOCTOR AT SEA - Rendez-vous à Rio (Thomas/Bogarde/Bardot) GB |
|
|
|
|
|
BROADWAY |
5 500 |
1 |
|
Total DOCTOR AT SEA - Rendez-vous à Rio (Thomas/Bogarde/Bardot) GB |
|
5 500 |
1 |
|
|
|
|
|
|
DOCTOR IN THE HOUSE - Toubib or not toubib (Thomas/Bogarde/More) GB |
|
|
|
|
|
BROADWAY |
5 500 |
1 |
|
Total DOCTOR IN THE HOUSE - Toubib or not toubib (Thomas/Bogarde/More) GB |
|
5 500 |
1 |
|
|
|
|
|
|
7 CITIES OF ANTARTICA - Documentaire |
|
|
|
|
|
PROVIDENCE |
5 000 |
1 |
|
Total 7 CITIES OF ANTARTICA - Documentaire |
|
5 000 |
1 |
|
|
|
|
|
|
CARLTON-BROWNE ON THE F.O. - Sois toujours diplomate (Boulting/Terry-Thomas/Sellers) GB |
|
|
|
|
|
TORONTO |
5 000 |
1 |
|
Total CARLTON-BROWNE ON THE F.O. - Sois toujours diplomate (Boulting/Terry-Thomas/Sellers) GB |
5 000 |
1 |
|
|
|
|
|
|
|
DARBY O'GILL - Darby O'Gill et les farfadets (Stevenson/Connery) |
|
|
|
|
|
CINCINNATI |
5 000 |
1 |
|
Total DARBY O'GILL - Darby O'Gill et les farfadets (Stevenson/Connery) |
|
5 000 |
1 |
|
|
|
|
|
|
THE 30 FOOT BRIDE OF CANDY ROCK - (Miller/Costello/Provine) |
|
|
|
|
|
BUFFALO |
5 000 |
1 |
|
Total THE 30 FOOT BRIDE OF CANDY ROCK - (Miller/Costello/Provine) |
|
5 000 |
1 |
|
|
|
|
|
|
THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
|
|
|
|
|
BUFFALO |
5 000 |
1 |
|
Total THE CRIMSON KIMONO - Le kimono pourpre (Fuller/Shaw/Corbett) |
|
5 000 |
1 |
|
|
|
|
|
|
ELEPHANT GUN - Rencontre au Kenya (Annakin/Lee/Craig/MacGoohan) GB |
|
|
|
|
|
CHICAGO |
4 800 |
1 |
|
Total ELEPHANT GUN - Rencontre au Kenya (Annakin/Lee/Craig/MacGoohan) GB |
|
4 800 |
1 |
|
|
|
|
|
|
SEA FURY - (Endfield/Baker/McLaglen) |
|
|
|
|
|
CHICAGO |
4 800 |
1 |
|
Total SEA FURY - (Endfield/Baker/McLaglen) |
|
4 800 |
1 |
|
|
|
|
|
|
GILDA - (Vidor/Hayworth/Ford) |
|
|
|
|
|
SAINT LOUIS |
4 500 |
1 |
|
Total GILDA - (Vidor/Hayworth/Ford) |
|
4 500 |
1 |
|
|
|
|
|
|
HOUSE OF BAMBOO - La maison de bambou (Fuller/Ryan/Stack) |
|
|
|
|
|
LOS ANGELES |
4 500 |
1 |
|
Total HOUSE OF BAMBOO - La maison de bambou (Fuller/Ryan/Stack) |
|
4 500 |
1 |
|
|
|
|
|
|
ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
|
|
|
|
|
BROADWAY |
4 500 |
1 |
|
Total ISLE OF LEVANT - Nous irons à l'île du levant (Kunz) documentaire - Suisse |
|
4 500 |
1 |
|
|
|
|
|
|
MODERN TIMES - Les temps modernes (Chaplin/Chaplin/Goddard) |
|
|
|
|
|
MINNEAPOLIS |
4 500 |
1 |
|
Total MODERN TIMES - Les temps modernes (Chaplin/Chaplin/Goddard) |
|
4 500 |
1 |
|
|
|
|
|
|
THE EAGLE - L'Aigle noir (Brown/Valentino) |
|
|
|
|
|
MINNEAPOLIS |
4 500 |
1 |
|
Total THE EAGLE - L'Aigle noir (Brown/Valentino) |
|
4 500 |
1 |
|
|
|
|
|
|
THE FIVE PENNIES - Millionnaire de 5 sous (Shavelson/Kaye) |
|
|
|
|
|
INDIANAPOLIS |
4 500 |
1 |
|
Total THE FIVE PENNIES - Millionnaire de 5 sous (Shavelson/Kaye) |
|
4 500 |
1 |
|
|
|
|
|
|
THE MUGGER - (Berke/Smith) |
|
|
|
|
|
PORTLAND |
4 500 |
1 |
|
Total THE MUGGER - (Berke/Smith) |
|
4 500 |
1 |
|
|
|
|
|
|
THE EIGHTH DAY OF THE WEEK - (Ford/Zieman) Pologne |
|
|
|
|
|
PHILADELPHIA |
4 200 |
1 |
|
Total THE EIGHTH DAY OF THE WEEK - (Ford/Zieman) Pologne |
|
4 200 |
1 |
|
|
|
|
|
|
THE SNOW WAS BLACK - La neige était sale (Saslavsky/Gélin/Mansart) France |
|
|
|
|
|
PHILADELPHIA |
4 200 |
1 |
|
Total THE SNOW WAS BLACK - La neige était sale (Saslavsky/Gélin/Mansart) France |
|
4 200 |
1 |
|
|
|
|
|
|
SINS OF CASANOVA - Les aventures et les amours de Casanova (Steno/Ferzetti) Italie / Fr |
|
|
|
|
|
BOSTON |
4 000 |
1 |
|
Total SINS OF CASANOVA - Les aventures et les amours de Casanova (Steno/Ferzetti) Italie / Fr |
4 000 |
1 |
|
|
|
|
|
|
|
THE RESPECTFUL PROSTITUTE - La p… respectueuse (Brabant/Laage/Desny) France |
|
|
|
|
|
BOSTON |
4 000 |
1 |
|
Total THE RESPECTFUL PROSTITUTE - La p… respectueuse (Brabant/Laage/Desny) France |
4 000 |
1 |
|
|
|
|
|
|
|
AN EYE FOR AN EYE - (Moore/lansing/P.Wayne) |
|
|
|
|
|
SAN FRANCISCO |
3 500 |
1 |
|
Total AN EYE FOR AN EYE - (Moore/lansing/P.Wayne) |
|
3 500 |
1 |
|
|
|
|
|
|
SUBWAY IN THE SKY - Cri d'angoisse (Box/Johnson/Knef) GB |
|
|
|
|
|
LOUISVILLE |
3 500 |
1 |
|
Total SUBWAY IN THE SKY - Cri d'angoisse (Box/Johnson/Knef) GB |
|
3 500 |
1 |
|
|
|
|
|
|
THE HOUSE I LIVE IN - La maison où je vis (Kulidzhanov/Telegina) Russie |
|
|
|
|
|
CHICAGO |
3 000 |
1 |
|
Total THE HOUSE I LIVE IN - La maison où je vis (Kulidzhanov/Telegina) Russie |
|
3 000 |
1 |
|
|
|
|
|
|
A HOLE IN THE HEAD - Un trou dans la tête (Capra/Sinatra/Robinson/Parker) |
|
|
|
|
|
BUFFALO |
2 800 |
1 |
|
Total A HOLE IN THE HEAD - Un trou dans la tête (Capra/Sinatra/Robinson/Parker) |
|
2 800 |
1 |
|
|
|
|
|
|
A NIGHT TO REMEMBER - Atlantique latitude 41° (Baker/More) GB |
|
|
|
|
|
INDIANAPOLIS |
2 500 |
1 |
|
Total A NIGHT TO REMEMBER - Atlantique latitude 41° (Baker/More) GB |
|
2 500 |
1 |
|
|
|
|
|
|
LONE TEXAN - (Landres/Parker) |
|
|
|
|
|
INDIANAPOLIS |
2 500 |
1 |
|
Total LONE TEXAN - (Landres/Parker) |
|
2 500 |
1 |
|
|
|
|
|
|
LUCKY JIM - Sept jours de malheur (Boulting/Welsh) |
|
|
|
|
|
SAINT LOUIS |
2 500 |
1 |
|
Total LUCKY JIM - Sept jours de malheur (Boulting/Welsh) |
|
2 500 |
1 |
|
|
|
|
|
|
THE YOUNG CAPTIVES - (Kershner/Mario/Patten) |
|
|
|
|
|
LOS ANGELES |
2 500 |
1 |
|
Total THE YOUNG CAPTIVES - (Kershner/Mario/Patten) |
|
2 500 |
1 |
|
|
|
|
|
|
TOO MANY CROOKS - (Zampi/Terry-Thomas/Cole) GB |
|
|
|
|
|
PITTSBURGH |
2 200 |
1 |
|
Total TOO MANY CROOKS - (Zampi/Terry-Thomas/Cole) GB |
|
2 200 |
1 |
|
|
|
|
|
|
TEN SECONDS TO HELL - Tout près de Satan (Aldrich/Palance/Chandler) |
|
|
|
|
|
BALTIMORE |
2 000 |
1 |
|
Total TEN SECONDS TO HELL - Tout près de Satan (Aldrich/Palance/Chandler) |
|
2 000 |
1 |
|
|
|
|
|
|
LOVE IS MY PROFESSION - En cas de malheur (Autant-Lara/Gabin/Bardot) France |
|
|
|
|
|
KANSAS CITY |
800 |
1 |
|
Total LOVE IS MY PROFESSION - En cas de malheur (Autant-Lara/Gabin/Bardot) France |
|
800 |
1 |
/http%3A%2F%2Fekladata.com%2FzkoYUJreoGpcsDmd2Z6kM3LftSo%40592x835.jpg)
/http%3A%2F%2Fekladata.com%2FYHmm6nYplBaVv2W3Ka1KJ5ilNyM%40953x771.jpg)
/http%3A%2F%2Fekladata.com%2FJk-8ZCvX61PkPcv_sBeMBkLn_Fo%40650x920.jpg)
/http%3A%2F%2Fekladata.com%2FYgBTOeRpBsUImBWHCG2LsIBbpg8%40625x867.jpg)